Showing posts with label Alan Gibson. Show all posts
Showing posts with label Alan Gibson. Show all posts
Monday, November 18, 2024
The Satanic Rites of Dracula (1973)
Secret Service and Scotland Yard police investigators believe they have uncovered a case of vampirism in London. They call in expert vampire researcher Professor Lorrimer Van Helsing to help them stop these hideous crimes. It becomes apparent that the culprit is none other than Count Dracula, disguised as a reclusive property developer, secretly plotting to unleash a fatal virus upon the world. The Satanic Rites marks the 8th entry in Hammer's Dracula series, following on from the events of Dracula A.D. 1972 (1972). Its continuation of the story allowed for many returning characters, locations and recalling of events, which cemented the pair's shared continuity. I found this to be the film's strongest attribute, developing every element further in exciting and interesting ways. I particularly loved the reprisal of figures who originally had meagre parts step into the limelight, such as Inspector Murray. He was a fun side character in A.D. but ultimately didn't get anything crucial to do, until now, playing a pivotal role, aiding Helsing and getting in on the action. Even Helsing's granddaughter, Jessica, would make a return, although now recast, which I'm still unsure how I feel about. Naturally returning prior characters meant another showdown was set in place for returning stars, Peter Cushing and Christopher Lee in their respective roles as Van Helsing and Dracula. Their ceremonious reunion was a huge highlight of the last title and would be an equal driving force here. Lee's Dracula plays a much more prominent role than in the previous, having plenty more to do, say and finally, a bigger vendetta to pursue rather than his personal revenge missions of the past. His presence continues to be grand in all his scenes, featuring his demanding, booming voice with plenty of dialogue. Cushing's Lorrimer Van Helsing equally receives plenty to do, becoming the focal protagonist who must once more use his cunning to unearth the dark mysteries and expose the truth. I also love how he would later arm himself for a confrontation with Dracula, bringing a cross and so on, including a gun, which made for a fantastic image of him wielding the two. Any opportunity to see the duo together makes for required viewing as their chemistry elevates the production, even if this is the most confusing and weakest movie in the series. Many would argue this derived from the film's juggling of a plethora of genres, which come across as less of a 'Hammer Dracula' production and more as a spy, thriller or crime flick. One that just so happens to have vampires present. Its mix-matched genre styles can be quite puzzling, almost as though the film itself isn't sure what it's meant to be. I'm not sure espionage, car chases, and police investigations were high demands for a Dracula film but, it has the luxury of never being done before or since. All being said, amidst its flaws, I still found much to enjoy and certainly don't hate the film. Whilst it has been deemed the weakest movie by viewers, it has evolved in its perception by fans, much like A.D. 1972 has. We definitely see a departure from some of its more 'campy' themes, moving away from its hippie focus and taking a seemingly more serious and darker tone. There are plenty of aspects using more violence, mainly including shoot-outs, as well as upping the horror, best seen through the twisted farm of chained-up vampiric brides in a basement. Furthermore, Dracula's plan is just as horrifying, aiming to destroy the population with a manufactured plague whilst it could be argued as making little sense for him to do so, it would practically be his ultimate revenge. I also liked the detail of the headquarters of the evil goings-on being the original grounds of the condemned church, where Dracula died in the last film and would feature one of the best sequences with the mortal enemies talking face to face. Overall, The Satanic Rites is a pretty basic Dracula film, in my opinion. It has plenty of redeemable qualities but still falls flat as it loses its identity in attempting to do too much. I think Cushing and Lee's involvement makes this worth watching, especially to see Lee's final portrayal as the definitive iteration of Dracula. Check out the final production The Legend of the 7 Golden Vampires (1974) for more.
Monday, November 11, 2024
Dracula A.D. 1972 (1972)
London has become a small town for a handful of jaded psychedelic-era hipsters. Except, Johhny Alucard has a groovy new way for his pals to get their kicks. A particular ritual will be the living end, he insists, but little do they know how deadly serious he is. Whilst the act comes to fruition, the now resurrected Dracula must still face the descendant of his archnemesis, Van Helsing. Whilst a sequel to Scars of Dracula (1970), it equally chose to depart from the rest of the series, starting a fresh in probably the most ... unique way. Dracula A.D. 1972 decided to do something new and, in doing so, departed from its Gothic period settings in favour of bringing this ancient evil to the realms of today, modernising the series. The period aspect had always been at these film's core but even this production couldn't totally cast it aside. The film opens with a climactic confrontation between Lawrence Van Helsing and Dracula in 1872 aboard a moving coach, travelling at high speeds. Their animalistic fight is a gripping opening to the picture displaying Helsing's triumph over his sworn enemy before his ultimate demise. However, a follower of the Count collects the ashes for safekeeping. This introduction is absolutely fantastic, instantly pumping you with adrenaline before the title card has even been played. I further adored the transition from the 19th Century setting being panned up to the sky as funky music blares out with a plane crossing the screen, transporting us to 1972. That adrenaline is carried on through the entire sequence by this killer soundtrack that has the grooviest theme in any Dracula film! The soundtrack is a tremendous highlight and one I can honestly say is worth owning. Mike Vicker's composed theme alone is a stand-out track and one that's permanently stuck in my head. Viewers will be quick to notice the reprisal of actor Peter Cushing as Van Helsing or rather, both versions as he plays Lawrence during the opening and his descendant, Lorrimer, our main protagonist. I loved the return of Cushing to this franchise after all, his last appearance with Christopher Lee's Dracula was way back in the first film, Dracula (1958). Naturally, the pair steal the spotlight, bringing outstanding scenes at the abundance, elevating the picture tenfold. Their inevitable reunion during the finale is a phenomenal segment that will have fans on tenterhooks. During the year 1972, Lorrimer Van Helsing leads a standard life looking after his granddaughter, Jessica who on the other hand, spends her time hanging out with her hippie-like friends who like to have fun crashing parties and doing wild things for kicks. Jessica and her friends are one of the main focuses of the movie and are easily one of the reasons this film was classed as dated. Even my Dad joked "The film was dated when it came out", which I find hilarious. Despite all this, it has weirdly improved with age and is favourably looked at now by more people revisiting it. Jessica is undeniably the most intriguing member of the group to follow, with her ties to Van Helsing and how she would become an ideal target for a revenge plot. Among her group, member Johhny Alucard proposes an experience like no other, suggesting a black mass. Reluctantly agreeing under peer pressure, they do so in a condemned church. However, when the situation becomes increasingly realistic, they all scatter moments before Dracula makes his dramatic revival. Now with his vampiric turned servant, Johhny, Dracula hunts each member. However, when the police get involved and seek the Helsings for questioning, Lorrimer begins investigating the matter, equally hunting Dracula and his spawn. Overall, Dracula A.D. 1972 is a fascinating step in the series, taking the age-old tale in a new direction. This is a guilty pleasure for me and my Dad as we found plenty to enjoy from its ambitious and outright groovy style. Plus it was my introduction to the Hammer Dracula series. It's a so bad it's good film that also manages to deliver a brilliant soundtrack as well as the reuniting of Cushing and Lee in their iconic roles. Movie-goers will find plenty to be entertained by from this unusual flick. Check out the continuation in The Satanic Rites of Dracula (1973).
Movie Trailer:
Theme Song:
My DVD Copy:








