Monkey (TV Series 1978-1980)

King Monkey is summoned to heaven by the Jade Emperor. However, his mischievous tendencies lead him to eat all the heavenly peaches, gaining immortality. Expelled to Earth, alongside two of the Emperor's disgraced officials, Monkey is encased in a mountain as punishment by Buddha, whilst one official is made a pig spirit (Pigsy) and the other a water spirit (Sandy). Years later, the Buddhist boy priest, Tripitaka, frees Monkey and recruits him alongside the other two as his disciples. Their journey is to reach India from China to fetch the Buddhist scriptures to bring peace to the people of the world. Monkey is a Japanese program that adapts from the Chinese novel 'Journey to the West' by Wu Cheng'en, which received an English dub for release in the UK, which the show is probably most known for. I was introduced to the show by my Mum and a co-worker, who equally believed it to be right up my street as a fan of strange cult classics. Naturally, they were absolutely right. Nothing could be more peculiar than a stone ape born from an egg on a mountaintop who battles demons, and I was all for it. I was an instant fan from the first episode, which alone was unlike anything I had experienced before. Equally, as a whole, the series astounded me with a whole plethora of attributes that made the programme feel uniquely special. The overflowing care and work put into the project is ever present, featured through outstanding ambitious special effects, flashy and exceedingly well-choreographed action and a stellar cast of energetic actors. Undoubtedly, my favourite member of the group is Monkey, the Great Sage and Equal of Heaven. His mischievous nature always makes him a delight to watch, using his cheek on both his friends and foes. He is equipped with a great many skills, knowing every magic trick under the sun, though his coolest abilities consisted of his magic wishing staff that could grow and shrink, along with his iconic skill of summoning his pink cloud to ride on. Some of his magic is quite bizarre, however, like turning into a wasp and turning his chest hair into an army of monkeys. Monkey, also partakes in countless fights (usually starting them), which show off his impressive techniques and the exquisite choreography that never ceases to get you pumped with adrenaline. Sandy, once commander of the heavenly host, now turned cannibal water spirit, brings a lot of knowledge and wit to the group delivering probably some of the funniest quips in the show. Pigsy, once marshal of the heavenly host turned pig spirit, is frequently fixated on eating, being lazy and looking for women, though when it counts, he's a helpful asset. Tripitaka is the boy priest sent on the holy pilgrimage who is kindhearted, always doing what's right and keeping the group in check. Finally, there is also the dragon/horse/man, Yu Lung, which is a peculiar statement, sure to confuse nonviewers. Whilst perhaps a somewhat straightforward story of travelling from point A to B, this journey is riddled with countless and widely varying stories that challenge our intrepid travellers. Waves of demons cause a whole manner of problems for our group, coming in all sorts of forms with special powers. Each requires different approaches from some being fought and thwarted to others reconciled and redeemed. Whilst there is a great deal of action and ecstatic comedy, the show holds an equal amount of heart, which is acted tremendously by the superb cast. The show would also not nearly be as popular if it wasn't for the phenomenal soundtrack by Godiego, who brings such lively tracks to the vigorous fight scenes, especially the theme song 'Monkey Magic' which is unnaturally catchy. Interestingly 13 episodes were never originally dubbed, being deemed too dark, featuring very mature themes, though eventually receiving a dub in 2004, making all episodes available. Overall, I had a blast with Monkey. I truthfully didn't expect to be so engrossed in it that once I'd started, I couldn't stop. I adored the effects, which were so spectacular for its time, to the unbelievable action and fantastic delivery of the actors and dubbing voice actors. An extraordinary cult classic deserving of far more recognition.

Seasons & Episodes: 2 Seasons - 52 Episodes

Creators: Wu Cheng'en, Hirokazu Fuse, Motomu Furuta, James Miki ...

Genre: Action / Adventure / Comedy / Fantasy

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Back to the Future: The Game (Video Game 2010-2015)

On May 14, 1986, Marty McFly is trying to adjust to a life without his best friend, Doctor Emmett "Doc" Brown, when to his surprise, the time-traveling DeLorean suddenly shows up, driverless, carrying a recorded message. Using the clues from the car, Marty discovers Doc has been arrested for the arson of a speakeasy in 1931. It is now up to Marty to rescue his old friend one more time. Ever since I was a kid, I have adored the Back to the Future trilogy, so when I heard of a video game telling an original story in the series, I was quite intrigued. Especially, since the game takes place six months after the events of Back to the Future Part III (1990). Whilst that ending is the most perfect and definitive conclusion, I always wondered what another adventure could've been like and that's what this delivers. It is the closest thing we fans will ever have to a Part IV that, even Bob Gale (the co-creator and writer of the originals) stated as much when working closely with the developers. Naturally, the most integral aspect of this game is its story, which had a great deal to live up to and, frankly, it easily delivered a phenomenal experience. Thankfully, the game's development was handled by hardcore fans, who knew exactly what people would want and hope for from this title. That being said, they take it in ways I would not have expected that honestly were quite ingenious. Travelling to the 1930s was quite an interesting choice for the focal setting of the expedition but once the story gets in full swing its potential only flourishes. Seeing another time period interpretation of Hill Valley was a lot of fun but what truly captivated me was the characters. Marty encounters many faces, new and old, with some stellar interactions from a young Emmett Brown to even Biff's father, Irving 'Kid' Tannen. The attention to detail was exceptional as they carry forth the mannerisms and attitudes we have come to expect from these characters and their families. This adventure also further strengthens the relationship between Marty and Doc when Marty must befriend the younger Emmett, whose inventions could rescue his future self. I found this interpretation of a young variant to be a marvellous addition and outstandingly portrayed by actor James Arnold Taylor. He has the most superb voice acting delivery, which brings unwavering believability as to what a young Emmett would be like. I won't dive further into the story, as it is a thrilling experience best played first-hand and spoiler-free. The story is split into five chapters, each filled with a rollercoaster of emotions to get hooked on. Over each chapter, I thoroughly loved the exploration of the multiple aspects of time travel as seen in the movies, which is expanded upon here with new ideas. Throughout this journey, we naturally play as Marty McFly, while not voiced by Michael J. Fox, he is brought to startling likeness by A.J. LoCascio who delivers an unprecedented performance worthy of the character. Christopher Lloyd does reprise as Doc and is just as great as in the movies, plus, Fox does have a cameo so the duo do get to work together. Initially released in 2010, the game received a 30th Anniversary Edition in 2015 to commemorate the first film's release, which has become the ideal version to use and is the one I played. Unfortunately, the graphics are a bit dated and could be improved alongside some gameplay elements, but it didn't ruin my experience. The title is a point-and-click adventure that features many interactive elements, such as choosing dialogue options and a plethora of puzzles to solve. I loved having options for dialogues that made it fun to pick how to approach situations, allowing for great replayability unearthing lines you might have missed beforehand. Anyone who has played a Telltale game will be familiar with this format, which they perfected and expanded upon over the years. Overall, I had a blast with this video game that extends the Back to the Future story delivering that long-awaited Part IV. It carries across all the familiar beats we have come to know and love of the originals whilst taking the story further and down new paths never before considered. It holds many twists, thrills and heartfelt moments worthy of the series that fans will adore.

Platforms: PlayStation 3 / PlayStation 4 / Xbox 360 / Xbox One / Wii / Windows

Developer: Telltale Games

Publisher: Telltale Games

Genre: Action / Adventure / Mystery / Sci-fi

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Back to the Future Part III (1990)

Stranded in 1955, Marty McFly learns about the premature death of Doc Brown in 1885 and must travel back in time to save him. However, with no more fuel readily available for the DeLorean after his arrival, the two must figure out how to escape the Old West before Emmett is murdered. Part III is probably the most unique entry in this trilogy as it takes us on an escapade to the Wild West. It was an unusual choice but a genius one, that delivers the most fun adventure of all the outings. I always thoroughly enjoyed this movie as a kid but it has now grown far higher in my estimations in the trilogy (though I adore each tremendously). Filmed back to back with Part II allowed for far more cohesiveness between these later two instalments. It can best be seen through the plenty of foreshadowing details hinting at the Western setting in Part II that become more noticeable after a rewatch. Continuing directly from the events of Back to the Future Part II (1989), Marty is now stuck in the past, after both the Doc and DeLorean were accidentally sent to 1885. Naturally, the only person that can help him now is the Doc from 1955. I love that Marty catches him just moments after he sends back the other Marty during the events of Back to the Future (1985), which as you'd expect, shocks him. Using the letter left to Marty from 1885, the pair uncover the DeLorean in an abandoned mineshaft and repair it well enough so Marty can rescue his friend from his death at the hands of Buford "Mad Dog" Tannen. Unbeknownst to Marty, he would encounter plenty of trouble on his arrival, from jumping straight into the middle of a United States Cavalry pursuit of Indians, bumping into a bear to even mistakenly running afoul Buford and his gang. Thankfully Doc Brown is close at hand to save Marty from almost dying himself. I found this film delved further into the bond between Marty and Emmett, displaying more of that duty of care they share so strongly. They equally go through great character growth and development as they alter their futures throughout the adventure. It was pleasing to watch Marty have some heart-to-heart with his great-great-grandparents, learning more about his family he never knew. Although, I liked that this particular entry spends more time with Doc Brown, introducing him a love interest in the form of Clara Clayton, a lady whom he saves. When they each fall deeply for the other it causes Emmett to become torn with leaving, raising the stakes higher with the still impending shooting. I was delighted with the inclusion of newcomer Clara into the trio and relished in the relationship between her and Emmett. It was equally exciting seeing familiar faces of the previous films return as new characters as relatives of current-time people of Hill Valley. The most impressive was our villain of the story, Buford 'Mad Dog' Tannen, ancestor to Biff Tannen. He easily stole the show with his exceptional performance that was both hilarious and terrifying, like some of the other variants we've seen. Of course, being a Western there are plenty of references to other such films scattered throughout for fans of the genre to catch. I found this final piece to hold some of the best cinematography, with gorgeous landscape shots ever-present. My favourite, and the most visually iconic, is the shot of the horses towing the DeLorean across the desert. It is simply a phenomenal spectacle. Where this film truly shines is during the climax as the pair commandeer a train to use in their escape plan. The whole segment is pumped full of adrenaline and elevated with the heroic score of Alan Silvestri, which is so enthralling, you cannot sit still. Finally, the ending sure pulls at the heartstrings with some heartwarming moments to wrap up the stories in a neat bow. Overall, Part III is a fantastic conclusion to an outstanding trilogy. It manages to deliver an unparalleled adventure to its predecessors, filled with lighthearted comedy and bustling action. This trilogy is undeniably my all-time favourite comfort viewing, and I know many share in the sentiment. You won't find entertainment as imaginative and creative as this. For the closest thing to a fourth entry, check out Back to the Future: The Game (Video Game 2010-2015).

Runtime: 1h 58m

Director: Robert Zemeckis

Genre: Adventure / Comedy / Sci-fi / Western

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Back to the Future Part II (1989)

After his accidental trip to 1955, Marty McFly returns to his own time only to find himself travelling once again with his friend Doc Brown to the year 2015 to straighten out a family problem. However, when the two return home to 1985, they soon discover someone has tampered with time to produce a nightmarish Hill Valley. Their only chance to restore their original time is to return to 1955 to set things right. Following the immediate events of Back to the Future (1985) we pick up during the literal final moments with the iconic 'cliffhanger' sequence. Originally meant as a joke scene to end the film, it soon became the plot for the sequel, continuing the adventure with a journey into the future. Naturally, this was quite the selling point and an intrigue factor for the movie, which was for many of us, an exciting premise. Seeing what the makers imagined a future 2015 could be like from the 80's perspective was fascinating. Of course, we have now long since passed that 'futuristic' year, so it's now equally fun to point out all sorts of details, like what did and didn't come true. My favourite additions from the future setting were the new instalments to the DeLorean like its ability to fly when the wheels turn out under the vehicle. It is still one of the coolest features of the car that complements its science fiction apparel. Equally making an impressive introduction was the hoverboard, which was a superb feature, especially during the chase scenes that showed off some impressively realistic effects. I still can't believe we haven't acquired such technology yet. For the sequel most of the cast reprised their roles although we notably see the recast of Jennifer, now played by Elisabeth Shue. She was perfectly fine in the role despite having little to do for the remainder of the film following the opening. Also, Crispin Glover didn't return as George McFly, so changes were made that I ultimately feel made the plot stronger, though still a shame he couldn't appear. Otherwise, the returning cast continued to excel in their respective roles, further developing their characters and in many cases, getting the chance to explore their range as multiple variations of their characters as well as others. Both Marty and Doc remain the stand-out highlights in this picture and it was terrific getting to see them both go on their first mission together through time. As a kid, Part II was my absolute favourite. Whilst I loved the whole future opening, what captivated me most was the later events when the team return to 1985. It was here the tone shifts much darker with the realisation of being in an alternate timeline. Something about the hellhole Hill Valley storyline had younger me hooked, seeing the consequences of time travel in the wrong hands and just how scarily things could drastically change was gripping. Of course, having Biff as the main villain was fitting, but it was certainly crazy, although not unexpected, seeing him go from the comedically stupid bully into a malicious killer, becoming one of the scariest villains in movie history (a real testament to Tom Wilson's range). Realising the only way to save Hill Valley is to undo the damage by Biff from the future by going back into the past to fix the problem. It was here the movie took its time travel escapades to the extreme, sending us back to the events of the first film in 1955, where our duo had to avoid their previous selves. Whilst one could see it as a cheap move, the execution was brilliant. I'll never get tired of Marty avoiding his other self continuously at the dance, like having to sneak overhead amidst his playing 'Johnny B. Goode' on stage. There are plenty of phenomenal moments the pair share on their secretive mercy mission full of intense high-stakes moments. Overall, Part II takes the adventure to new heights, continuing the story, showing us new destinations and mixing in with the prior film. Everyone involved continued to bring their A-game across the board and delivered a sensational sequel. I sure adored this entry and have fond memories of it, loving the exploration of a darker tone for the middle act, plus the ending was truly astonishing. For the exciting conclusion, check out Back to the Future Part III (1990) with a journey into the Old West.

Runtime: 1h 48m

Director: Robert Zemeckis

Genre: Adventure / Comedy / Sci-fi

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The Adventures of Robin Hood (1938)

Prince John and the Norman Lords begin oppressing the Saxon masses in King Richard's absence in 1190s England. However, Saxon lord, Sir Robin of Locksley, fights back as the outlaw leader of a resistance movement. He and his band of Merry Men, rob the rich to give to the poor and foil the cruel sheriff of Nottingham, Sir Guy of Gisbourne, whilst keeping the nefarious Prince John off the throne. Robin Hood is one of the oldest tales in English folklore that, despite its age, continues to entertain the masses to this day. A story full of enthralling adventure naturally captivates the imagination and excitement of people of all ages over countless decades. It is therefore no wonder such a tale would make for a thrilling big screen experience. However, this wasn't the first big screen outing for the swashbuckling hero, with previous adaptations dating back to 1908 and 1922. Whilst equally entertaining, many, including myself, would regard this as a definite introduction to the character on the silver screen. This adaptation is rich in every conceivable aspect. Firstly, the enormous 'stage-like' sets were magnificent, like, for instance, the castle, which held an unprecedented scale unlike anything I had seen in film from this time. It truly took advantage of the possibilities for a big-screen depiction, allowing opportunities to leave audiences in awe at the sheer size of its set design. Personally, this was the most surprising aspect that impressed me immensely. A film from this decade with real sets of this magnitude easily overshadows the lifeless CGI landscapes of some movies. Secondly, there was the action that ups the ante with its invigorating flashy sword fights, which were as visually impressive as they were physically. Accompanying these fights is the grand soundtrack that elevates these scenes to their peak excitement, equally doing wonders for other scenes of varying emotions. Thirdly, we have the other integral participant in the visual spectacle, the magnificent colours. I find this to be the film's greatest asset since not only was it not commonly used at this time in filmmaking, but it allowed for some spectacular striking visuals. The colours used were the most vibrant possible and like the effort dealt to the grandiose scale, it too took full advantage of its capabilities making for another Technicolor delight. Finally, we have the players, those in the foreground delivering those hard-hitting lines, leaping into the action and having all the fun. Robin Hood is played by Errol Flynn who is best known for his swashbuckling romance roles with this one probably being his most recognisable. His portrayal certainly set the bar for all future incarnations of the character and his performance was quite the stand out. From the physical side with the sword duels to his comedic playful dialogue, filling the story with plenty of joyful laughter. I thoroughly enjoyed watching his formation of the band of Merry Men and how he gained their trust and loyalty. Naturally, his crew consists of Little John, Friar Tuck, Will Scarlett, Much the Miller's son and countless others. I found it quite interesting to see just how many people join forces with Robin in the woods as some depictions only show the main names you know with the occasional aid from villages, so an army made for quite the spectacle during battles. Later joining them would be the beautiful Maid Marian played by Olivia de Havilland whose performance as the heroine equally shone, especially in the growing romance with Robin. Similar praise can be said for all cast including the villains, Sir Guy of Gisbourne and Prince John, whose cunning and imposing presences made for fantastic antagonists, especially Gisbourne, who has some exquisite fencing with Robin in the final battle. Overall, The Adventures of Robin Hood is a pinnacle of the golden age of Hollywood. From its superb casting in both leading and supporting roles, the phenomenal action, set pieces and score, to the stunning colour visuals, this picture is everything a movie should aspire to be. It has stood the test of time and still looks incredible, inspiring countless films over the decades and influencing the many Robin Hoods yet to come. 

Runtime: 1h 42m

Directors: Michael Curtiz, William Keighley

Genre: Action / Adventure / Romance

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Indiana Jones and the Great Circle (Video Game 2024)

Archaeologist Indiana Jones is hurtled into a mysterious globetrotting adventure when one of his artefacts is stolen, which may have held more significance than previously observed. As he follows the thief he is drawn into yet another entanglement with the Nazis, who now seek to harness a power connected to the Great Circle. This title has to be one of the best video games I have played in recent memory, particularly for the year. I was pleasantly surprised by this project, which managed to do the impossible: create an authentic Indiana Jones adventure whilst emulating the style and aesthetic of the original trilogy. Set in 1937, between the events of Raiders of the Lost Ark (1981) and The Last Crusade (1989), we are treated to a new glimpse of the classic Indiana Jones during his prime, hot off the heels from his last adventure with Marion in securing the Ark. Being a video game allowed for the possibility of seeing a younger Indy again, which the later two films were unable to achieve to this standard and boy was it awesome to have him back. The most surprising element of this product was the voicing of Indy. Despite not using Harrison Ford, substitute Troy Baker, surpasses all expectations delivering a performance practically mistakable for the real thing. From the get-go, I was instantly sold on it being Indiana Jones merely from his outstanding voice acting. One of the more controversial aspects was the choice of a forced first-person perspective, with many (including myself, initially) wanting third-person like in the Uncharted series. However, having finished the game, I stand with the choice for first-person as it quite literally makes you feel like Indy, putting you in his shoes, showing a perspective never before experienced by fans, through his eyes. It further gives this game a unique style that vastly differentiates itself from other adventure games. Plus during traversal and cutscenes, you get to see Indy from those other perspectives. The combat has to be the most fun mechanic in the game. You will never find a more satisfying experience than cracking the whip, which is fitted with its iconic sound, as you battle Nazis equally equipped with your trusty gun and fists. It is unbelievably entertaining to just beat down Nazis by the dozen in a plethora of ways with pickupable items all around to aid your fight. The whip not only helps in combat but also with traversal and puzzles, which there are plenty to uncover and solve throughout. The story sees Indy thrown into an unexpected journey where he must reacquire an artefact from his exhibition, which spirals into travelling to a wide array of locations. From exploring the Vatican City, scouting dig sites in Gizeh to navigating the waters of Thailand, there are plenty of luscious locations to lose yourself in. Whilst being a linear narrative story we are still treated to semi-open world areas fully explorable with lots of collectables. My favourite, however, is one of the smaller locations, the Himalayas, which offered a superb spectacle segment in the story. Each location was full of outstanding graphics that just blew me away, which are present throughout the game. It's a visually breathtaking masterpiece. On this adventure, Indy meets many friends who guide him in his quest and each holds some brilliant interactions and feels like they have always belonged in this world. He is mainly accompanied by Gina, an Italian investigative reporter who gets more than she bargained for in search of her story. She has some great chemistry with Indy, filling the role of potential love interest perfectly. Gina is searching for her lost sister whose disappearance, she believes to be connected to Voss, a Nazi archaeologist who is the main antagonist. Voss equally fits this world, standing out alongside older villains. He is a worthy match for Jones' intellect and uses his skills of psychological manipulation against his enemies. Indy has his work cut out for him, but can he come out on top? Overall, I adored The Great Circle. I simply couldn't put it down and didn't want to. I was utterly engrossed in its story, characters and gameplay that, to me, made it a perfect classic Indy experience for fans that we never knew we were missing. 

Platforms: PlayStation 5 / Xbox Series X/S / Windows

Developer: MachineGames

Publisher: Bethesda Softworks

Genre: Action / Adventure

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