Monday, June 24, 2024

Empire of Dreams: The Story of the Star Wars Trilogy (2004)

This most comprehensive look at the making of the original Star Wars trilogy ever produced examines the early concepts, the deals, the production hell and then the eventual success of George Lucas' space opera. With commentaries from the cast and crew and stories about how a little movie that was looked upon as an impending box office disaster became a cultural phenomenon. Empire of Dreams is one of my favourite documentaries of all time that takes an extensive dive into Star Wars' success and George Lucas' genius. We are allowed to see the structures that formed the most influential movies in cinematic history laid out piece by piece. I have been a huge Star Wars fan for as long as I can remember. They entertained me, captivated me and simply blew my mind. I was fascinated in every way by this behemoth of a franchise and was utterly thrilled to see an extensive look behind its making as I put in my copy of the Bonus Material DVD. A chance to see the inner workings of Star Wars: Episode IV - A New Hope (1977), Star Wars: Episode V - The Empire Strikes Back (1980) and Star Wars: Episode VI - Return of the Jedi (1983) in all their glory felt like a must for any fan. As well as with Star Wars, I have equally been a long-time enthusiast of seeing the behind-the-scenes construction of the filmmaking process, the implementation and workings of practical special effects plus the build-up to every piece of the jigsaw come together with the final product. It is truly eye-opening and not only shows the grand display of imagination and creativity at play but it equally awakens that spark of potential within ourselves. We begin with a look into George Lucas' early years with his study of filmmaking alongside other soon-to-be greats like Steven Spielberg and how his obvious talent led to the opportunity to create films such as his hit, American Graffiti (1973). Lucas was becoming more noticeable as an up-and-coming director. He now felt he could focus on a project he had been working on in the background, a science fiction epic. Lucas began planning out the story for what would become Star Wars, which he was inspired by 1930s Flash Gordon serials, old Japanese samurai movies and other products. Whilst a science fiction at face value, Lucas opted for an equal mythological approach bringing a mysticism element. Almost like a fairy tale adventure but in space. This is apparent with the young eager adventurer, the old wise 'wizard', a swashbuckler and a damsel, but even then it is given a sweeping breath of fresh air. Science fiction movies at the time of the early 70s were not so popular and considered a bad investment however 20th Century Fox gave Lucas the chance. The majority of the documentary is spent covering the creation of the first film, simply titled, Star Wars. Since it is the first entry there was plenty to uncover from the initial casting tapes, set building, concept art, marketing, composing the score, sound design and my favourite, the forming of ILM the special effects crew. I loved hearing the interviews with the actors and crew accompanied by older footage giving further insight into those moments like auditions and off-screen banter. I also adored seeing how the effects came together with the use of models, the strange locations and origins of the 'futuristic' sounds, John William's composing of beautiful pieces and seeing the faces of some lesser-seen actors. We all know the rough journey it took in making the movie with the amount of difficulties endured that equally caused Lucas many problems. Despite it all, the film was finished, released and feared to be a huge flop but, was instead, a renowned success, allowing Lucas to continue the story. We see further in-depth looks into Empire Strikes Back and Return of the Jedi with their accomplishments, hardships and formations. Overall, Empire of Dreams is a phenomenal guide to the original trilogy's creation that extensively breaks apart its development, showering us with engrossing knowledge. I found myself beaming with joy throughout making me feel proud to be a Star Wars fan. A definitive documentary for any enthusiast. Also, check out Light & Magic (TV Series 2022) for a deeper look into ILM's story. 

Runtime: 2h 31m
Directors: Edith Becker, Kevin Burns
Genre: DocumentaryHistory / Sci-fi

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Tuesday, June 11, 2024

Star Wars: The Bad Batch (TV Series 2021-2024)

The end of the Clone Wars marks the rise of the oppressive Empire. Amid the chaos, an elite unit of unusual clone troopers defies its orders and chooses to go on the run. Joined by a young clone named Omega, the so-called Bad Batch struggles to evade the constant pursuit of its enemies. Following the highly praised and extensive show that is Star Wars: The Clone Wars (TV Series 2008-2020), we are allowed to see the immediate shift of the galaxy as the Empire begins to form. I was ecstatic at the chance to see such an intriguing period of the Star Wars galaxy get fully delved into. Especially since this magnitude of change between eras had rarely been shown, particularly not from the direct moment things flipped in the aftermath of Star Wars: Episode III - Revenge of the Sith (2005). The best part about it is the fact we follow a group of clones who, because of their defective nature, didn't follow through with the treacherous Order 66 like the rest of the clones. Their genetic mutations made them resistant to the effects of the order and allowed them to see for themselves the truth about the Empire. The Bad Batch's explosive introduction in the Clone Wars was simply fantastic giving us an insight into the highly skilled unit and their enhanced abilities. The group and their mutations are as follows: Hunter the leader exceptional tracker, Wrecker the muscle and demolition expert, Tech the brains with a heightened mental capacity and Crosshair the sniper with a keen marksman eyesight. The group also includes Echo, once a regular clone, experimented on by the enemy, and left with cybernetic modifications, which he now brings to Clone Force 99. Each member is individually entertaining and only becomes more enjoyable as they play off of one another. They almost feel like a space equivalent of The A-Team (TV Series 1983-1987), and I was all for it. This squad is a formidable team that never fails to get the job done, be it in their unique way. I do wish we had gotten to see more of their Clone Wars stories (since we know episodes were partially made before cancellation) but I can't deny that getting a whole show dedicated to them isn't a bad compromise. I was immediately hooked by the opening episode that saw the beginning of the galaxy-wide shift and how each member of the crew handled the experience. The confusion, distrust, scepticism and conflict was a captivating lead into the show as witness the lead to their cutting ties with the Republic turned Empire. The crew are aided in their escape by another genetically modified clone, a young girl called Omega, the only female variant. They take her with them, away from their changing homeworld of Kamino in search of somewhere safe, now as fugitives. I truly adore this group, they have such a special bond and each has a lot to learn out in a galaxy where the only life they had known was being a soldier. Clone Force 99 develops across each season as a whole and individually as the group take on the form of mercenaries. Of all the members, I felt the most captivated by Crosshair who underwent the most growth and was a truly fascinating aspect of the series. On their countless missions, we see many familiar faces from both Clone Wars and Rebels, with plenty of incredible references and nods to enjoy. This squad goes against just as many foes as friends with Imperials, bounty hunters and varying threats on the planets they encounter up against them. Whilst the show may feature the occasional 'filler' episode, I felt that the show mainly consisted of quality content with some exceptional stories throughout. It is full of planet skipping, enthralling missions, character growth, action and heart. What more could you want from an episodic sci-fi adventure serial? Overall, I absolutely love The Bad Batch just as much as Clone Wars. Whilst I may prefer the other, I think this is the perfect sequel. Each season is outstanding and ups the stakes, pushing the squad to their limits in plenty of thrilling ways. With a phenomenal cast and an abundance of space-hopping journeys, it is certainly worth its entertainment value. For more animated shows, check out Star Wars: Rebels (TV Series 2014-2018).

Seasons & Episodes: 3 Seasons - 47 Episodes
Creators: Jennifer Corbett, Dave Filoni
Genre: Action / Adventure / Animation / Drama / Fantasy / Sci-fi

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Friday, June 7, 2024

Star Wars: Episode IX - The Rise of Skywalker (2019)

While the First Order continues to ravage the galaxy, Rey finalizes her training as a Jedi. But danger suddenly rises from the ashes as the evil Emperor Palpatine mysteriously returns from the dead. While working with Finn and Poe to fulfil a new mission, Rey will not only face Kylo Ren but will finally discover the truth about her parents as well as a deadly secret that could determine her future and the fate of the ultimate showdown that is to come. The Rise of Skywalker is the final entry in the sequel trilogy that aims to conclude not only the story of these characters but, essentially, the franchise as a whole. Like the previous entries, I saw this in theatres with my Dad, and it was definitely a mixed bag. In all honesty, this film doesn't truly feel like a rewarding final entry to the greatest sci-fi series of all time. Nor does it seem like a triumphant end to the story of this trilogy, which isn't saying much with how divisive it has been with plenty of ups and downs. Now, this trilogy has suffered from a lack of cohesive narrative planning, and it is just as painfully obvious here as it was in The Last Jedi. Dissecting what plays out in this movie almost felt like watching a fan fiction production with a million-dollar budget. Following the inharmonious Star Wars: Episode VIII - The Last Jedi (2017), Episode IX had a hard time ahead with plenty of hurdles to overcome. There was a requirement to appease and get on board as many fans as possible after the polarising last film, finishing both the story of these characters and the entire franchise whilst further delivering an exciting adventure. It was certainly an uphill battle and with directors being fired and stories getting scrapped, things were looking rough. Finally settling on director J. J. Abrams once again, it was possible for an equal level production to his last, but that was not to be. Some of the choices made are, quite frankly, outlandish, with the grandest being the idea of bringing back Palpatine after his 'presumed' death in Star Wars: Episode VI - Return of the Jedi (1983). I was initially intrigued by the notion when revealed in the trailer but was equally weary as his return would undermine the entire saga and Anakin's redemption arc. His appearance and contribution is ultimately underwhelming, so much so that I wish they had left him dead. They don't even do that good a job of explaining how, although it's implied he is a clone, even though that is practically an idea deemed impossible in all previous content. I wouldn't have had a problem with his inclusion if it wasn't left to the last movie as an afterthought. The remaining cast is equally a mixture. There is obvious effort being provided by the cast, but with little to do or weak material to work with, they continue to fall flat. We spend the majority of our time with Rey, Finn, Poe, Chewie, C-3PO and BB-8 on their mission to uncover a way to the hidden planet Exegol, where Palpatine is supposedly residing alongside a fleet of planet-killing Star Destroyers. Kylo Ren continues to hunt Rey after discovering Palpatine first and learning the truth, temporarily aligning with him with the promise of owning the fleet. Once again, Kylo Ren steals the show with some phenomenal moments, many of which were on an emotional hitting performance. Leia's contribution was handled well under the circumstances of Carrie Fisher's passing, with unused footage being worked well enough into the story. There was plenty of action present throughout even if most was again lacklustre, like the fantastic setting of a fight on the Death Star II ruins, which was treated to clunky choreography. The Exegol sequences were interesting to a degree but could've been so much better. The effects naturally are spectacular, but there needs to be more substance in writing quality than effect quantity. Overall, The Rise of Skywalker is not remotely the successful climactic end to a grand franchise. It sadly delivers a deflated final product to finish off the trilogy that tries too much whilst not trying enough. Like in each movie, there are elements to take from or give some entertainment, but, as a whole, it is still weak. A disappointing end to what should have been a blockbuster hit trilogy. I will personally be sticking to the main six.

Runtime: 2h 22m
Director: J. J. Abrams
Genre: Action / Adventure / Fantasy / Sci-fi

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Tuesday, June 4, 2024

Star Wars: Episode VIII - The Last Jedi (2017)

Luke Skywalker's peaceful and solitary existence gets upended when he encounters Rey, a young woman who shows strong signs of the Force. Her desire to learn the ways of the Jedi forces Luke to make a decision that changes their lives forever. Meanwhile, Kylo Ren and General Hux lead the First Order in an all-out assault against Leia and the Resistance for supremacy of the galaxy. The Last Jedi is the second entry in the sequel trilogy and is considered one of the most divisive movies in the history of the Star Wars franchise. It was so divisive to the point where it completely split the fandom in two. My initial reaction when I saw it in theatres with my Dad was it was fine. I didn't really think more about any more till the DVD finally came out and I saw it again. I began to notice a lot of issues I had and ultimately concluded it is my least favourite Star Wars movie of all time. Funnily enough, I wasn't the only one, as many other fans found themselves in the same position. For me, there are simply far too many flaws and glaring problems that make this film feel so unenjoyable, which isn't good when your film is the longest in the series. The story follows very swiftly after the triumphant victory over the First Order in Star Wars: Episode VII - The Force Awakens (2015), with little to no time jump that is present in every other movie of the saga, making the opening crawl redundant. Here we see a split between two narratives, the first being the First Order's pursuit and battle with the retreating, battered Resistance. The second consists of Rey's trial to gain the help of the now-hermit Jedi, Luke. Both of these separate stories held a collection of faults that are present over a plethora of areas. A main one would be the use of characters who in terms of older, returning figures are mistreated, misused and completely unrecognisable. Whilst new characters, make bizarre choices that make no sense, hinder the mission or dampen the acts of other characters. The most disappointing of them all would have to be the use of Luke Skywalker. Whilst I can see some of the interesting potentials of a secluded and pensive Luke in hiding, it all comes crashing down with the discovery of why and how which fundamentally ruins him and everything he stood for. Equally, characters introduced in the last film like Rey, Finn, Poe, Kylo Ren, Snoke, Hux, Phasma, etc... undergo similar treatment, being truly wasted, humiliated or thrown aside. It is extremely ridiculous and unforgiving to see the amount of potential be flipped or dropped in favour of subverting viewer expectations. New characters introduced like Rose, Holdo and DJ, were difficult to put up with. They are simply annoying and make stupid decisions that seriously get on my nerves. For example, Holdo choosing to keep her plans to herself instead of informing everyone, which leads to a pointless mutiny and detour mission with Rose and Finn on a waste of time caper to a casino planet with space horses is so bad. One of the saving graces was easily Kylo Ren and his force connection with Rey, which was fascinating. Their scenes are probably the best moments of the film and the duel against the guards was pretty awesome (that is until you realise how many mistakes and disappearing weapons make the fight dumb). In terms of praise, this film gets from me, it would have to be the visuals. I cannot deny it is the most beautiful of the sequels. John Williams is as fantastic as ever, although I found fewer songs standing out in this production. The sequel's grandest issue is realised here with the lack of a cohesive story not being drawn out from the beginning. It becomes such a mess with directors having conflicting ideas, wanting to do their own thing instead of making one whole project like George Lucas did. Overall, The Last Jedi was one of the biggest disappointments for me as a fan and has cemented itself in history as one of the most problematic in the franchise. Sadly, I'd have to say, in my opinion, this doesn't feel like Star Wars and is not worth it. But what do you think? Do you like it, hate it or think it's just meh? See the final entry of the sequels in Star Wars: Episode IX - The Rise of Skywalker (2019), which also split the fandom.

Runtime: 2h 32m
Director: Rian Johnson
Genre: Action / Adventure / Fantasy / Sci-fi

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Tuesday, May 28, 2024

Star Wars: Episode VII - The Force Awakens (2015)

The Empire is no more. In its place, The First Order has risen from the ashes of Darth Vader's legacy and aims to consolidate its power across the galaxy. Thrown into the galactic conflict are scavenger Rey and renegade stormtrooper Finn. They enlist the help of legendary smugglers Han Solo and Chewbacca to transport a droid carrying important information. It holds the whereabouts of long-lost Jedi Master Luke Skywalker, who is sought by General Leia Organa before it falls into the hands of Kylo Ren and the First Order. The Force Awakens was the first entry in the sequel trilogy that would explore time after the events of the originals. The amount of hype surrounding this film's announcement, trailers and build-up to release was something unseen since the prequel's release and it was an exciting time for fans. There was one interesting difference in this project, that being the absence of creator George Lucas, who sold Lucasfilm to Disney in 2012. He did write out a layout of his plans for the sequels, which Disney took and yet, for some reason, ignored them entirely, creating their own. This was for me and many the first production of Star Wars they saw from the Disney era. I went with my Dad back in 2015 to see it and was certainly captivated, being truly blown away. It was a unique cinema experience to behold. Set thirty years after the defeat of the Empire by the rebels in the original finale of Star Wars: Episode VI - Return of the Jedi (1983), we see the remnants of the long-thought-dead Empire return as the First Order. They are led by the mysterious Supreme Leader Snoke and his apprentice Kylo Ren who wants to fill the boots of Darth Vader. He displays some interesting force abilities like force freeze, which immobilizes his enemies. The coolest thing about him aside from his attire is that he wields a crackling red crossguard saber, which had never been seen before. Taking on this seemingly unstoppable force is the unlikely group of fighters focusing on lone scavenger Rey who has lived on Jakku after her parents abandoned her and stormtrooper defector FN-2187 later renamed Finn who realises the truth about the First Order when forced to kill civillians. The pair make for an unlikely duo but their banter and bond they grow is so much fun to watch play out. Of the two my favourite was undoubtedly Finn whose introduction was incredible as he defects, aiding Poe, an ace pilot for the Resistance, in escaping by stealing a Tie Fighter. That whole sequence with them blowing up the hanger with the Tie was fantastic and the pair's energy and back-and-forth repartee was exceptionally entertaining. I was, however, quite disappointed with how they built him up to be a big role, like in the poster with the lightsaber, only to give it all to Rey. Along the way, we get many references to the original trilogy like stumbling on the Millennium Falcon, which has a a phenomenal chase sequence. We of course see many faces from that trilogy who naturally steal the show when delivering so many heartwarming and emotional performances. Now I still really enjoyed this movie but there are plenty of flaws to it with the major being some striking similarities to Star Wars: Episode IV - A New Hope (1977). Not that it is a scene for scene retelling but many beats are the same from the planet killing weapon, droid carrying secret data, a protagonist from a desert planet, you see where I'm going with this. I just wished it took a couple of risks and gave us some fresh ideas but it naturally played it safe which did make it more crowd-pleasing all around. It does still feel like Star Wars though it is hard to ignore that it is at its core a corporate product more than one man's vision. Overall, The Force Awakens may not be the greatest Star Wars movie in the entirety of the franchise but it is still a magnificent movie. Holding some spectacular effects, envigorating score, beautiful cinematography and shots that culminate into a fun science fiction adventure. Plus the amount of set-up and questions planted were enough to hook fans with so much promise for the follow-up. Of course that was not meant to be with the release of the most controversial entry, Star Wars: Episode VIII - The Last Jedi (2017).

Runtime: 2h 18m
Director: J. J. Abrams
Genre: Action / Adventure / Sci-fi

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Monday, May 13, 2024

Solo: A Star Wars Story (2018)

A young and ambitious Han Solo begins his journey on the industrial planet of Corellia, where he dreams of becoming a pilot, escaping his life of hardship with love interest, Qi'ra. After making a daring escape attempt, Han finds himself thrown into the middle of a heist alongside other criminals, where he meets Chewbacca and Lando Calrissian in an adventurous situation, exposing the criminal underworld. Solo is the second film as part of the 'Star Wars Story' stand-alone movies and was, for me, a surprisingly enjoyable experience. Unfortunately, the film was a flop at the box office due to many not seeing it, which I too was guilty of, having no time to see it, which seems to be the consensus with other fans. Despite its initial failure, the film has become widely loved among the fandom. Solo takes the time to flesh out Han's character and equally show how he became the notorious smuggler we all know and love. This adventure offers the chance for an exploration of unanswered questions, such as how Han met Chewie, Lando and got the Millennium Falcon. Whilst doing so, it delivers upon an original invigorating escapade. We even see some iconic moments that were throwaway lines in the original films, like the 'Kessel Run made in less than 12 parsecs' that plays out in a thrilling sequence. Whilst Ford didn't play Han in this adventure (being far too old for this young role), Alden Ehrenreich is a great compromise. He delivers a performance complimentary to Ford's portrayal although, it isn't quite there yet. I would say this is a good thing since it allows for some growth before he becomes the Han of the originals. On the other hand, it's a shame we didn't get a full movie with that version that is so popular. Joining the recast was Billy Dee Williams' Lando with Donald Glover, who equally steps up to the task, exceeding it and stealing the show. The supporting actors are awesome in their respective roles, delivering unique and memorable performances. From the gunslinging Beckett who teaches Han important lessons on this new way of life, Qi'ra the love interest who has become a skilled fighter under a crime syndicate, L3-37 the droid companion of Lando (who is very hit-and-miss with her jokes) who fights for droid rights and lastly Dryden Vos the villainous public figurehead of Crimson Dawn who sends out our crew on this dangerous mission. I was equally engaged with each one, alongside the many others featured in the adventure, with their intriguing characteristics and stories. There are some truly phenomenal sequences to be marvelled at on this mission, with plenty of fight scenes to delight us, like a rebellious breakout on Kessel, the Imperial attack on Mimban, a space battle in the Maelstrom that displays Han's skills as a pilot and a spectacular showdown in close quarters style in the finale. The Falcon has a different look with a nose-like feature that is an escape pod and a blue and white paint job. It looks so clean and new, which would fade in the later movies and I loved seeing a new side to her. Plus its introduction with that small musical cue was delightful. The setting for this film is a fascinating one as it follows the early years of the Empire's rise, where lawlessness takes root and crime syndicates thrive. It makes for a brilliant period to set the tale with it being dark and gritty, although I feel maybe too much of that carried over to the visuals. It feels too ill-lit with some brown tones and dull colours that don't make it less appealing. It's as if they took the cool idea of marrying the tone of the film with the look only to take it to the extreme. There are many notable attributes to this film, from the many easter eggs and references to the twists and turns with so many morally grey characters leaving us to wonder whose side everyone is on. Overall, Solo may not have been my all-time favourite Star Wars project, but it is an extremely entertaining one. I can understand that many thought it was a story we didn't necessarily need, but since it's here, I can have fun with it. It takes risks and the revolutionary ideas it pushes have become so important in recent Star Wars. It is certainly a fascinating experience and seriously underrated. It should be given a try by fans of the series.

Runtime: 2h 15m
Director: Ron Howard
Genre: Action / Adventure / Sci-fi

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Saturday, May 4, 2024

Rogue One: A Star Wars Story (2016)

All looks lost for the Rebellion against the Empire as they learn of the existence of a new super weapon. Once a possible weakness in its construction is uncovered, the Rebel Alliance must set out on a desperate mission to steal the plans for this planet killer. The future of the entire galaxy now rests upon its success. Rogue One is a film part of the main Skywalker saga, but it doesn't follow any of the leading figures. This is why it holds the title 'A Star Wars Story' and further hence, why it features no opening crawl like every other film. This choice was a great idea as it differentiates this from the other films in the series and, after all, this story is essentially a crawl if you have seen the original Star Wars. We follow a ragtag group of individuals, each member coming from a different background with their own stories, lives, troubles and difficulties to overcome. We mainly focus on Jyn Erso, a young woman who has had a hard life after her father was taken by the Empire, who needs him to complete unfinished work on this weapon. She is reluctantly recruited by the Rebellion, who wish to use her help in finding the information on this weapon and her father in exchange for her freedom. She is joined by rugged rebel Cassian Andor and reprogrammed sassy Imperial droid K-2SO, who are at first sceptical of Jyn. Their mission requires them to track down a defective Imperial cargo pilot, Bodhi. He holds a message about the Empire's new weapon, but he is being held by Rebel extremists led by Saw Gerrera, whom Jyn previously worked with. Along the way, they meet up with two men, the blind skilled fighter Chirrut and sharpshooter heavy Baze, who join the crew after the Empire destroys their home on Jedha. I really loved each member of this group and grew attached to them with their many unique personalities. Despite not being together for long, they work as an efficient team and bond as a squad. Opposing them, however, is the mighty Empire, with our main antagonist, Director Krennic, who oversees the construction of the aptly named weapon, The Death Star. He is an excellent villain to follow who crosses paths with our team on multiple occasions and has some brilliant scenes where he argues with Tarkin. He commands an elite group of Death Troopers who are phenomenal in all-black attire with green visors who tower over their peer Stormtroopers. Most of the notable aspects of this movie involve the battles and how gritty they are, feeling like a real war. With plenty of small fights scattered throughout, it all comes to a head in the climactic finale on the tropical Imperial base on Scarif as they make a last-ditch effort to secure the plans of the Death Star. From a battle on the ground to an unbelievable space battle, it was a jaw-dropping climax to behold. I remember fondly going to the cinema with my Dad to see it and how exciting it felt. Little did we know how it would blow us both away by its magnitude across the board. The sheer scope of this cinematic masterpiece was enough to be admired. So much beautiful imagery draws you in from wide, long sweeping shots that linger on such grand spectacles, a combination of on-site location and digital effects seamlessly blending and a variety of worlds holding vast arrays of bright colour or muted tones. Seeing so many planets, new and old, felt like a lived-in world with all kinds of real cultures and creatures. It is true eye candy for audiences, especially for eagle-eyed fans. There are equally plenty of cameos from in-your-face to subtle in-the-back or verbal mentions for fans to find too, especially many links to Star Wars: Rebels (TV Series 2014-2018). The score by Michael Giacchino is magnificent too, as it features many motifs we know from William's score whilst delivering spectacular entries of his own into the mix. Overall, I cannot state enough how much I adore Rogue One. It is one of the best aspects to come out of the Disney era of Star Wars and still blows fans away with its bold choices and exceptional storytelling. This is certainly up there as one of my all-time favourites and will likely remain there for years to come. It also ties beautifully into the first-ever film Star Wars: Episode IV - A New Hope (1977).

Runtime: 2h 13m
Director: Gareth Edwards
Genre: Action / Adventure / Sci-fi

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The film underwent multiple rewrites and reshoots, which is quite visible in these trailers featuring many sequences, shots and lines not present in the final product. The trailers are very interesting, however it is equally fascinating to imagine how different it could have been. But for a 'mostly' accurate trailer of the final result, see the last one above.

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