Robin of Sherwood (TV Series 1984-1986)

Robin of Loxley is chosen by the mystical Herne the Hunter to become his 'son' and champion the oppressed. Gathering a band of comrades around him he fights a guerilla campaign against their Norman dictators, particularly the Sheriff of Nottingham and his deputy, Guy of Gisburne. Robin of Sherwood is a show that takes the classic tale we all know and reimagines it, interweaving it with atmospheric mysticism. At its core, it holds a much more supernatural presence when compared with other interpretations of the myth. I was certainly intrigued by this choice, which only grew exponentially with each episode that delved into it further. It was undoubtedly a superb idea to incorporate it within such a rich story, whilst managing to equally share in historical accuracy. Alongside the magical aspects of the show, I was equally invested in the focus on developing intricate backstories for its characters. Naturally, being a series would give each member of the loveable outlaw group the time to grow and be thoroughly explored over its hour-long episodic adventures. Of course, we know the characters from the tale, but I really appreciated that this show gave us deeper looks into these already beloved figures, allowing us to grow closer to these versions. I would go as far as to say that this variation of the group of outlaws is my favourite of any Robin Hood adaptation. Michael Praed was a true stand-out as the titular rebel leader Robin, who was perfectly cast alongside Judi Trott's Marion, who is stunningly beautiful and becomes a skilled fighter upon joining the band. The rest of the crew, of course, features Little John a once-bewitched giant who loves to show off his strength and have a laugh, Will Scarlet is the grumpy fighter who loves nothing more than to get in the thick of the action, Friar Tuck watches out for the Lady Marion and holds the team together through their darkest moments, Much is Robin's foster brother a bumbling fighter and lookout and finally, Nasir a Saracen professional assassin freed from an equal spell like John. These depictions of the classic and new characters were fantastically acted by their respective actors and I loved seeing the formation of this unlikely unity of outsiders as well as their later adventures. Guiding them on their quests, is Herne the Hunter, the mystical forest-dwelling spirit who instructs Robin in leading his group in favour of returning peace to the land. The third and final season saw the replacement of Praed's Robin with Jason Connery as Robin of Huntington, though brief, his performance was not remotely on par with Praed and wasn't as favoured by fans. Opposing our heroic band is the Sherrif of Nottingham, Robert De Rainault a ruthless and harsh ruler who seeks the ultimate demise of Robin and his band, caring only for further power and riches. He commands Sir Guy of Gisburne who equally shares his sentiment of the rebels and is frequently pinned against Robin on countless episodes though always failing to capture the outlaw. The Sherrif and Gisburne were easily the highlight of the series and utterly phenomenal villains. You can't help but love them. I am sent to hysterical laughter whenever the Sherrif loses his temper with Gisburne as his performance takes on a theatre-like presence. Another highlight of the series was the action. There are some envigorating duels scattered throughout the show with so many flashy sword fights (mainly delivered by Nasir) to bow and arrow standoffs. There is plenty of exciting action to captivate viewers over the countless breathtaking on-location sets like the towering lush green forests. The final component to this shows magnificence is the music by Clannad. Their mixture of folk-based sounds, harmonies and synth make for a hauntingly beautiful soundtrack that is inimitable, which fits the series perfectly as the equal mixture of old and 'modern'. Overall, Robin of Sherwood is my absolute favourite depiction of the Robin Hood legend. It has so many exceptional qualities from the cast, characters, music, action and stories that make it such a delight. It has received a steady fan base who revere it extensively. I heartedly recommend this to all fantasy and Robin Hood enthusiasts. 

Seasons & Episodes: 3 Seasons - 24 Episodes

Creator: Richard Carpenter

Genre: Action / Drama / Fantasy

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The Adventures of Robin Hood (1938)

Prince John and the Norman Lords begin oppressing the Saxon masses in King Richard's absence in 1190s England. However, Saxon lord, Sir Robin of Locksley, fights back as the outlaw leader of a resistance movement. He and his band of Merry Men, rob the rich to give to the poor and foil the cruel sheriff of Nottingham, Sir Guy of Gisbourne, whilst keeping the nefarious Prince John off the throne. Robin Hood is one of the oldest tales in English folklore that, despite its age, continues to entertain the masses to this day. A story full of enthralling adventure naturally captivates the imagination and excitement of people of all ages over countless decades. It is therefore no wonder such a tale would make for a thrilling big screen experience. However, this wasn't the first big screen outing for the swashbuckling hero, with previous adaptations dating back to 1908 and 1922. Whilst equally entertaining, many, including myself, would regard this as a definite introduction to the character on the silver screen. This adaptation is rich in every conceivable aspect. Firstly, the enormous 'stage-like' sets were magnificent, like, for instance, the castle, which held an unprecedented scale unlike anything I had seen in film from this time. It truly took advantage of the possibilities for a big-screen depiction, allowing opportunities to leave audiences in awe at the sheer size of its set design. Personally, this was the most surprising aspect that impressed me immensely. A film from this decade with real sets of this magnitude easily overshadows the lifeless CGI landscapes of some movies. Secondly, there was the action that ups the ante with its invigorating flashy sword fights, which were as visually impressive as they were physically. Accompanying these fights is the grand soundtrack that elevates these scenes to their peak excitement, equally doing wonders for other scenes of varying emotions. Thirdly, we have the other integral participant in the visual spectacle, the magnificent colours. I find this to be the film's greatest asset since not only was it not commonly used at this time in filmmaking, but it allowed for some spectacular striking visuals. The colours used were the most vibrant possible and like the effort dealt to the grandiose scale, it too took full advantage of its capabilities making for another Technicolor delight. Finally, we have the players, those in the foreground delivering those hard-hitting lines, leaping into the action and having all the fun. Robin Hood is played by Errol Flynn who is best known for his swashbuckling romance roles with this one probably being his most recognisable. His portrayal certainly set the bar for all future incarnations of the character and his performance was quite the stand out. From the physical side with the sword duels to his comedic playful dialogue, filling the story with plenty of joyful laughter. I thoroughly enjoyed watching his formation of the band of Merry Men and how he gained their trust and loyalty. Naturally, his crew consists of Little John, Friar Tuck, Will Scarlett, Much the Miller's son and countless others. I found it quite interesting to see just how many people join forces with Robin in the woods as some depictions only show the main names you know with the occasional aid from villages, so an army made for quite the spectacle during battles. Later joining them would be the beautiful Maid Marian played by Olivia de Havilland whose performance as the heroine equally shone, especially in the growing romance with Robin. Similar praise can be said for all cast including the villains, Sir Guy of Gisbourne and Prince John, whose cunning and imposing presences made for fantastic antagonists, especially Gisbourne, who has some exquisite fencing with Robin in the final battle. Overall, The Adventures of Robin Hood is a pinnacle of the golden age of Hollywood. From its superb casting in both leading and supporting roles, the phenomenal action, set pieces and score, to the stunning colour visuals, this picture is everything a movie should aspire to be. It has stood the test of time and still looks incredible, inspiring countless films over the decades and influencing the many Robin Hoods yet to come. 

Runtime: 1h 42m

Directors: Michael Curtiz, William Keighley

Genre: Action / Adventure / Romance

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The Sound of Music (1965)

In Austria 1938, Captain Georg Von Trapp, a widower, runs his home like the ship he once commanded although, that changes when Maria arrives from the abbey to be his seven children's new governess. She is surprised to learn she's the latest in a long line of governesses seen off by the children, but Maria soon finds that all they need is a little love to change their attitudes. She helps reintroduce them to singing, and through her, music is brought back into the hearts and home of the Trapp family. The Sound of Music is undoubtedly one of the most significant musicals of all time and the most beloved. It has not only firmly remained a classic after all these years but still looks phenomenal now. Its visuals are breathtaking with a superb direction that brings us countless beautiful shots. Whether it be the sweeping shots of the luscious mountain landscapes or even the mere stills of such grandiose locations as the villa and festival stage, this film is inundated with stunning imagery worthy of a theatrical presence. Further shaping the movie are those in the foreground, Maria and the Von Trapp family. We follow Maria who leaves her life in the abbey as a nun to aid the family of Captain Von Trapp. I adored these characters whose interactions and moments together were extremely captivating and brought to such life by their respective actors/actresses. Julie Andrews (Maria) has such a magnificent singing voice that elevates every scene to peak delight which, only blossoms greater when combined with the children, Liesl, Friedrich, Louisa, Kurt, Brigitta, Marta, and Gretl. There are a plethora of songs throughout in which to hear their exquisite voices with so many memorable classics from 'My Favourite Things', 'The Sound of Music', 'Do-Re-Mi', 'The Lonely Goatherd', 'Sixteen Going on Seventeen', 'So Long, Farewell' and more. The songs have even surpassed the movie becoming so universally known that people who haven't even seen it likely know them. Plus, there are plenty more songs featured like those from the Nuns and Mother Abbess with 'Maria' and 'Climb Ev'ry Mountain'. However, the ones I was most captivated and surprised by were from that of Christopher Plummer (The Captain). He has such a voice I was simply blown away by his performance and subsequent songs, with my favourite being the somewhat emotional 'Edelweiss'. As well as being so captivating in terms of the music, each was equally so in the story. Now, the movie is based upon the real story of the Von Trapp family singers, however, naturally, there have been alterations to the cinematic telling, which comes in at a pretty lengthy timestamp. Although, when I watched it again recently I hardly noticed. There wasn't any feeling of it dragging or taking too long. So it comes as no surprise when I say I loved the story. I most enjoyed watching Maria attempt to connect with the children who make the matter difficult as they try scaring her off like previous governesses as they hope to gain their father's attention. However, she finally gets through to them rejuvenating that sense of joy as they come to share an unbreakable bond that also befalls the Captain, who had suffered the worst from the incident. However, the Captain is now engaged to the Baroness, which causes some conflict inside Maria who, without meaning to, has grown a liking to him also. One of the most noteworthy aspects of this movie is its setting. Anyone who noticed the year would immediately make the troublesome connection. Underlying a constant background feeling of dread with the imminent takeover by the Nazis looming. There are hints of this change throughout with it being a topic brought up gradually until it consumes the picture leaving the family to make a difficult decision. Overall, The Sound of Music is a production I and many others consider to be flawless. It manages to convey countless emotions through varying elements like its songs, acting and story, which is tremendously visceral. It is a feature perfect for the whole family certain to captivate you, make you sing and warm your heart. An integral movie to the world of cinema, everyone should experience.

Runtime: 2h 52m

Director: Robert Wise

Genre: Biography / Drama / Family / Musical / Romance

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Indiana Jones and the Great Circle (Video Game 2024)

Archaeologist Indiana Jones is hurtled into a mysterious globetrotting adventure when one of his artefacts is stolen, which may have held more significance than previously observed. As he follows the thief he is drawn into yet another entanglement with the Nazis, who now seek to harness a power connected to the Great Circle. This title has to be one of the best video games I have played in recent memory, particularly for the year. I was pleasantly surprised by this project, which managed to do the impossible: create an authentic Indiana Jones adventure whilst emulating the style and aesthetic of the original trilogy. Set in 1937, between the events of Raiders of the Lost Ark (1981) and The Last Crusade (1989), we are treated to a new glimpse of the classic Indiana Jones during his prime, hot off the heels from his last adventure with Marion in securing the Ark. Being a video game allowed for the possibility of seeing a younger Indy again, which the later two films were unable to achieve to this standard and boy was it awesome to have him back. The most surprising element of this product was the voicing of Indy. Despite not using Harrison Ford, substitute Troy Baker, surpasses all expectations delivering a performance practically mistakable for the real thing. From the get-go, I was instantly sold on it being Indiana Jones merely from his outstanding voice acting. One of the more controversial aspects was the choice of a forced first-person perspective, with many (including myself, initially) wanting third-person like in the Uncharted series. However, having finished the game, I stand with the choice for first-person as it quite literally makes you feel like Indy, putting you in his shoes, showing a perspective never before experienced by fans, through his eyes. It further gives this game a unique style that vastly differentiates itself from other adventure games. Plus during traversal and cutscenes, you get to see Indy from those other perspectives. The combat has to be the most fun mechanic in the game. You will never find a more satisfying experience than cracking the whip, which is fitted with its iconic sound, as you battle Nazis equally equipped with your trusty gun and fists. It is unbelievably entertaining to just beat down Nazis by the dozen in a plethora of ways with pickupable items all around to aid your fight. The whip not only helps in combat but also with traversal and puzzles, which there are plenty to uncover and solve throughout. The story sees Indy thrown into an unexpected journey where he must reacquire an artefact from his exhibition, which spirals into travelling to a wide array of locations. From exploring the Vatican City, scouting dig sites in Gizeh to navigating the waters of Thailand, there are plenty of luscious locations to lose yourself in. Whilst being a linear narrative story we are still treated to semi-open world areas fully explorable with lots of collectables. My favourite, however, is one of the smaller locations, the Himalayas, which offered a superb spectacle segment in the story. Each location was full of outstanding graphics that just blew me away, which are present throughout the game. It's a visually breathtaking masterpiece. On this adventure, Indy meets many friends who guide him in his quest and each holds some brilliant interactions and feels like they have always belonged in this world. He is mainly accompanied by Gina, an Italian investigative reporter who gets more than she bargained for in search of her story. She has some great chemistry with Indy, filling the role of potential love interest perfectly. Gina is searching for her lost sister whose disappearance, she believes to be connected to Voss, a Nazi archaeologist who is the main antagonist. Voss equally fits this world, standing out alongside older villains. He is a worthy match for Jones' intellect and uses his skills of psychological manipulation against his enemies. Indy has his work cut out for him, but can he come out on top? Overall, I adored The Great Circle. I simply couldn't put it down and didn't want to. I was utterly engrossed in its story, characters and gameplay that, to me, made it a perfect classic Indy experience for fans that we never knew we were missing. 

Platforms: PlayStation 5 / Xbox Series X/S / Windows

Developer: MachineGames

Publisher: Bethesda Softworks

Genre: Action / Adventure

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Quantum Leap (TV Series 1989-1993)

Theorising that one could time travel within his own lifetime, Dr. Sam Beckett stepped into the Quantum Leap Accelerator and vanished. He awoke and found himself trapped in the past, facing mirror images that were not his own and driven by an unknown force to change history for the better. His only guide on this journey is Al, an observer from his own time, who appears in the form of a hologram that only Sam can see and hear. And so Dr. Beckett finds himself leaping from life to life, striving to put right what once went wrong, and hoping each time that his next leap will be the leap home. Quantum Leap is an exceptionally creative series, which built such a limitless potential premise. A time-travelling scientist who becomes random people of the past with a problem (or has the potential to help with someone else's issue), which he tries to put right. I was instantly sold on the show from its time travel aspect and matched with the idea of someone jumping into other people's lives to change history was a fascinating concept. We follow Sam Beckett, the man behind the Quantum Leap project, who upon activating is now confined to leaping between lives until he can make his way home. Throughout these travels he finds himself hurtled into a vast array of peculiar predicaments, becoming people of any profession, age, colour, culture, religion, background and even the opposite sex. It opens the floodgates of possibilities as he is thrown into situations he couldn't have comprehended or prepared for. From a test pilot, priest, singer, boxer, hit man, archaeologist, reporter, secretary, vet, chauffer, detective, magician, stuntman to a DJ, the list goes on as to the many special situations Sam will find himself leading. I especially love how with each leap Sam's reflections aren't his own, but those he has become since after all it's their body he is in. The best part of this detail would be during the end of an episode where he leaps and we get a peek into the next adventure. It led to plenty of intriguing cliffhangers, leaving viewers to theorise what wacky situation would follow from the snippet of his new life. Aiding Sam in these difficult tasks is Al, a friend from the 'present day' who can communicate with Sam by means of a hologram only he can witness. By far, Al is my favourite character mainly due to his comic relief and his fashionable dress sense. I equally love the effects used as he passes through objects or people due to his holographic state, which was both funny and useful in the situations at hand. Despite being a hologram and viewable to only Sam, there is a small set of occasions where other people could see him (mainly little children and animals), which delivered some highlight moments in the series. He has Sam's back through all his hardships and uses his gadgets to communicate with Ziggy (a computer A.I. built by Sam to run the project) to access history records as well as theorise how best to guide Sam to accomplish his task. However, Al doesn't always have the stomach for some of the leaps especially being very superstitious, scaring easily when things turn spooky. Their relationship was a stand-out element to the series, because whilst they may have very contrasting personalities and views they care deeply about one another, working together through thick and thin. Personally, I found the earlier part of the show to be its best particularly the first season, which explored the potential of the show and delivered some poignant character-driven stories that would carry onward to the rest of the series. The later seasons would feature some ambitious and unusual episodes that were quite interesting but none more so than its finale entry. Despite being somewhat controversial it gives the series a definitive conclusion that many shows of the time wouldn't have usually gotten. Overall, Quantum Leap is yet another quality series from the 80s and 90s. It delights in transporting us, alongside Sam, into a wide variety of stories and adventures with each episode. Its ability to take us through different decades and see into a plethora of lives is as equally fascinating as entertaining. I highly recommend this unique classic to all TV enthusiasts.

Seasons & Episodes: 5 Seasons - 97 Episodes

Creator: Donald P. Bellisario

Genre: Action / Adventure / Drama / Mystery / Sci-fi

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The Legend of the 7 Golden Vampires (1974)

In 1904, Professor Van Helsing ventures to China on a lecture tour, where his lessons about the legends of 7 golden vampires are dismissed by his students. However, a local family believe him, knowing full well of their existence and where to find them. They join forces, which leads Helsing to get caught up in a battle between good and evil as the gang of sword-wielding vampires rise from their graves. The Legend of the 7 Golden Vampires marked the 9th and final entry in Hammer's extensive Dracula series. Each picture progressively got more unique (and somewhat peculiar) with each addition, though none went nearly as far or was as ambitious as this one. Following The Satanic Rites of Dracula (1973), we yet again disconnect from any form of continuity, delivering a stand-alone story. This movie was a collaborative piece between Hammer Film Productions and Shaw Brothers Studio, which would bring forth an unimaginable product, a martial arts horror flick. A mix of genres one wouldn't expect to work out, however, it does more than that, it excels and is simply put, awesome. Who would relish in the idea of epic flashy fights against vampires and an army of undead? Naturally, the slight genre shift of this movie can make it feel out of place in the series (despite the last two doing similarly for different reasons), but I was able to look past it once I was hooked on the adventure at hand. We open in 1804 at Castle Dracula who sadly isn't reprised by Christopher Lee finally having enough of the series and refusing to return. The Count would instead be played by John Forbes-Robertson whose portrayal is sufficient but unfortunately doesn't come close to rivalling the great Lee. Plus, the overwhelming amount of make-up does his appearance no favours. Dracula is approached by Kah (or as my family calls him 'Reg' after mishearing Dracula's remark 'wretch' to him), who requests his help in resurrecting the seven vampires and the power of the temple. Dracula agrees, but on his terms, possessing Kah's body and setting off to China. Cutting to 1904, we are reunited with leading protagonist Lawrence Van Helsing (and his portrayer Peter Cushing) for one final explosive escapade. I thoroughly enjoyed Cushing's Van Helsing in all of his iterations in the series and this outing was no exception. I also love that this version wears the exact outfit of his character, the Doctor from Dr. Who and the Daleks (1965). Helsing's knowledgeable background in these adversaries makes him a powerful asset in the mission at hand. He is met by student, Hsi Ching, who believes Helsing's teaching recruiting him to free the village from its horrors. He offers him protection, bringing his six brothers the twins Sung and San, Ta, Kwei, Jin How and Bao Kwei, alongside his one sister, Mai Kwei, each capable in multiple martial art forms. The company is also joined by Helsing's son Leyland and rich widow, Vanessa Buren, who finances the trip. I loved this idea of following an entire expedition on a perilous task and quickly became attached to each member with their unique personalities. Our group encounter many oppositions along their journey filled with extensive action and visually stunning displays of excellently choreographed battles. My favourite had to be the fight in the cave where our unexpecting group was resting and quickly had to leap into action. Needless to say, the highlight of the production was the final act where our crew began preparations to hold the village from the amassing army. The entire segment was marvellous with an immense display of accelerating scrimmage, full of chaos with fire blazing and foes at every turn that our heroes are pushed to their limits, which takes its toll. You will be glued to the screen with bated breath from the first to the final blow. Overall, I cannot help but adore this cult classic mix-match genre epic. I was left in a constant state of awe at the flowing action and was captivated by the characters and actors, especially Cushing. It may not be the best of the series, sadly being its last, but it is a fun and exciting film sure to bring joy to any who watch. This concludes my review of Hammer's Dracula series, and I hope you have enjoyed it as much as me.

 

Runtime: 1h 29m

Directors: Roy Ward Baker, Cheh Chang

Genre: Action / Horror

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