Back to the Future: The Game (Video Game 2010-2015)

On May 14, 1986, Marty McFly is trying to adjust to a life without his best friend, Doctor Emmett "Doc" Brown, when to his surprise, the time-traveling DeLorean suddenly shows up, driverless, carrying a recorded message. Using the clues from the car, Marty discovers Doc has been arrested for the arson of a speakeasy in 1931. It is now up to Marty to rescue his old friend one more time. Ever since I was a kid, I have adored the Back to the Future trilogy, so when I heard of a video game telling an original story in the series, I was quite intrigued. Especially, since the game takes place six months after the events of Back to the Future Part III (1990). Whilst that ending is the most perfect and definitive conclusion, I always wondered what another adventure could've been like and that's what this delivers. It is the closest thing we fans will ever have to a Part IV that, even Bob Gale (the co-creator and writer of the originals) stated as much when working closely with the developers. Naturally, the most integral aspect of this game is its story, which had a great deal to live up to and, frankly, it easily delivered a phenomenal experience. Thankfully, the game's development was handled by hardcore fans, who knew exactly what people would want and hope for from this title. That being said, they take it in ways I would not have expected that honestly were quite ingenious. Travelling to the 1930s was quite an interesting choice for the focal setting of the expedition but once the story gets in full swing its potential only flourishes. Seeing another time period interpretation of Hill Valley was a lot of fun but what truly captivated me was the characters. Marty encounters many faces, new and old, with some stellar interactions from a young Emmett Brown to even Biff's father, Irving 'Kid' Tannen. The attention to detail was exceptional as they carry forth the mannerisms and attitudes we have come to expect from these characters and their families. This adventure also further strengthens the relationship between Marty and Doc when Marty must befriend the younger Emmett, whose inventions could rescue his future self. I found this interpretation of a young variant to be a marvellous addition and outstandingly portrayed by actor James Arnold Taylor. He has the most superb voice acting delivery, which brings unwavering believability as to what a young Emmett would be like. I won't dive further into the story, as it is a thrilling experience best played first-hand and spoiler-free. The story is split into five chapters, each filled with a rollercoaster of emotions to get hooked on. Over each chapter, I thoroughly loved the exploration of the multiple aspects of time travel as seen in the movies, which is expanded upon here with new ideas. Throughout this journey, we naturally play as Marty McFly, while not voiced by Michael J. Fox, he is brought to startling likeness by A.J. LoCascio who delivers an unprecedented performance worthy of the character. Christopher Lloyd does reprise as Doc and is just as great as in the movies, plus, Fox does have a cameo so the duo do get to work together. Initially released in 2010, the game received a 30th Anniversary Edition in 2015 to commemorate the first film's release, which has become the ideal version to use and is the one I played. Unfortunately, the graphics are a bit dated and could be improved alongside some gameplay elements, but it didn't ruin my experience. The title is a point-and-click adventure that features many interactive elements, such as choosing dialogue options and a plethora of puzzles to solve. I loved having options for dialogues that made it fun to pick how to approach situations, allowing for great replayability unearthing lines you might have missed beforehand. Anyone who has played a Telltale game will be familiar with this format, which they perfected and expanded upon over the years. Overall, I had a blast with this video game that extends the Back to the Future story delivering that long-awaited Part IV. It carries across all the familiar beats we have come to know and love of the originals whilst taking the story further and down new paths never before considered. It holds many twists, thrills and heartfelt moments worthy of the series that fans will adore.

Platforms: PlayStation 3 / PlayStation 4 / Xbox 360 / Xbox One / Wii / Windows

Developer: Telltale Games

Publisher: Telltale Games

Genre: Action / Adventure / Mystery / Sci-fi

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Back to the Future Part III (1990)

Stranded in 1955, Marty McFly learns about the premature death of Doc Brown in 1885 and must travel back in time to save him. However, with no more fuel readily available for the DeLorean after his arrival, the two must figure out how to escape the Old West before Emmett is murdered. Part III is probably the most unique entry in this trilogy as it takes us on an escapade to the Wild West. It was an unusual choice but a genius one, that delivers the most fun adventure of all the outings. I always thoroughly enjoyed this movie as a kid but it has now grown far higher in my estimations in the trilogy (though I adore each tremendously). Filmed back to back with Part II allowed for far more cohesiveness between these later two instalments. It can best be seen through the plenty of foreshadowing details hinting at the Western setting in Part II that become more noticeable after a rewatch. Continuing directly from the events of Back to the Future Part II (1989), Marty is now stuck in the past, after both the Doc and DeLorean were accidentally sent to 1885. Naturally, the only person that can help him now is the Doc from 1955. I love that Marty catches him just moments after he sends back the other Marty during the events of Back to the Future (1985), which as you'd expect, shocks him. Using the letter left to Marty from 1885, the pair uncover the DeLorean in an abandoned mineshaft and repair it well enough so Marty can rescue his friend from his death at the hands of Buford "Mad Dog" Tannen. Unbeknownst to Marty, he would encounter plenty of trouble on his arrival, from jumping straight into the middle of a United States Cavalry pursuit of Indians, bumping into a bear to even mistakenly running afoul Buford and his gang. Thankfully Doc Brown is close at hand to save Marty from almost dying himself. I found this film delved further into the bond between Marty and Emmett, displaying more of that duty of care they share so strongly. They equally go through great character growth and development as they alter their futures throughout the adventure. It was pleasing to watch Marty have some heart-to-heart with his great-great-grandparents, learning more about his family he never knew. Although, I liked that this particular entry spends more time with Doc Brown, introducing him a love interest in the form of Clara Clayton, a lady whom he saves. When they each fall deeply for the other it causes Emmett to become torn with leaving, raising the stakes higher with the still impending shooting. I was delighted with the inclusion of newcomer Clara into the trio and relished in the relationship between her and Emmett. It was equally exciting seeing familiar faces of the previous films return as new characters as relatives of current-time people of Hill Valley. The most impressive was our villain of the story, Buford 'Mad Dog' Tannen, ancestor to Biff Tannen. He easily stole the show with his exceptional performance that was both hilarious and terrifying, like some of the other variants we've seen. Of course, being a Western there are plenty of references to other such films scattered throughout for fans of the genre to catch. I found this final piece to hold some of the best cinematography, with gorgeous landscape shots ever-present. My favourite, and the most visually iconic, is the shot of the horses towing the DeLorean across the desert. It is simply a phenomenal spectacle. Where this film truly shines is during the climax as the pair commandeer a train to use in their escape plan. The whole segment is pumped full of adrenaline and elevated with the heroic score of Alan Silvestri, which is so enthralling, you cannot sit still. Finally, the ending sure pulls at the heartstrings with some heartwarming moments to wrap up the stories in a neat bow. Overall, Part III is a fantastic conclusion to an outstanding trilogy. It manages to deliver an unparalleled adventure to its predecessors, filled with lighthearted comedy and bustling action. This trilogy is undeniably my all-time favourite comfort viewing, and I know many share in the sentiment. You won't find entertainment as imaginative and creative as this. For the closest thing to a fourth entry, check out Back to the Future: The Game (Video Game 2010-2015).

Runtime: 1h 58m

Director: Robert Zemeckis

Genre: Adventure / Comedy / Sci-fi / Western

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Back to the Future Part II (1989)

After his accidental trip to 1955, Marty McFly returns to his own time only to find himself travelling once again with his friend Doc Brown to the year 2015 to straighten out a family problem. However, when the two return home to 1985, they soon discover someone has tampered with time to produce a nightmarish Hill Valley. Their only chance to restore their original time is to return to 1955 to set things right. Following the immediate events of Back to the Future (1985) we pick up during the literal final moments with the iconic 'cliffhanger' sequence. Originally meant as a joke scene to end the film, it soon became the plot for the sequel, continuing the adventure with a journey into the future. Naturally, this was quite the selling point and an intrigue factor for the movie, which was for many of us, an exciting premise. Seeing what the makers imagined a future 2015 could be like from the 80's perspective was fascinating. Of course, we have now long since passed that 'futuristic' year, so it's now equally fun to point out all sorts of details, like what did and didn't come true. My favourite additions from the future setting were the new instalments to the DeLorean like its ability to fly when the wheels turn out under the vehicle. It is still one of the coolest features of the car that complements its science fiction apparel. Equally making an impressive introduction was the hoverboard, which was a superb feature, especially during the chase scenes that showed off some impressively realistic effects. I still can't believe we haven't acquired such technology yet. For the sequel most of the cast reprised their roles although we notably see the recast of Jennifer, now played by Elisabeth Shue. She was perfectly fine in the role despite having little to do for the remainder of the film following the opening. Also, Crispin Glover didn't return as George McFly, so changes were made that I ultimately feel made the plot stronger, though still a shame he couldn't appear. Otherwise, the returning cast continued to excel in their respective roles, further developing their characters and in many cases, getting the chance to explore their range as multiple variations of their characters as well as others. Both Marty and Doc remain the stand-out highlights in this picture and it was terrific getting to see them both go on their first mission together through time. As a kid, Part II was my absolute favourite. Whilst I loved the whole future opening, what captivated me most was the later events when the team return to 1985. It was here the tone shifts much darker with the realisation of being in an alternate timeline. Something about the hellhole Hill Valley storyline had younger me hooked, seeing the consequences of time travel in the wrong hands and just how scarily things could drastically change was gripping. Of course, having Biff as the main villain was fitting, but it was certainly crazy, although not unexpected, seeing him go from the comedically stupid bully into a malicious killer, becoming one of the scariest villains in movie history (a real testament to Tom Wilson's range). Realising the only way to save Hill Valley is to undo the damage by Biff from the future by going back into the past to fix the problem. It was here the movie took its time travel escapades to the extreme, sending us back to the events of the first film in 1955, where our duo had to avoid their previous selves. Whilst one could see it as a cheap move, the execution was brilliant. I'll never get tired of Marty avoiding his other self continuously at the dance, like having to sneak overhead amidst his playing 'Johnny B. Goode' on stage. There are plenty of phenomenal moments the pair share on their secretive mercy mission full of intense high-stakes moments. Overall, Part II takes the adventure to new heights, continuing the story, showing us new destinations and mixing in with the prior film. Everyone involved continued to bring their A-game across the board and delivered a sensational sequel. I sure adored this entry and have fond memories of it, loving the exploration of a darker tone for the middle act, plus the ending was truly astonishing. For the exciting conclusion, check out Back to the Future Part III (1990) with a journey into the Old West.

Runtime: 1h 48m

Director: Robert Zemeckis

Genre: Adventure / Comedy / Sci-fi

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Robin of Sherwood (TV Series 1984-1986)

Robin of Loxley is chosen by the mystical Herne the Hunter to become his 'son' and champion the oppressed. Gathering a band of comrades around him he fights a guerilla campaign against their Norman dictators, particularly the Sheriff of Nottingham and his deputy, Guy of Gisburne. Robin of Sherwood is a show that takes the classic tale we all know and reimagines it, interweaving it with atmospheric mysticism. At its core, it holds a much more supernatural presence when compared with other interpretations of the myth. I was certainly intrigued by this choice, which only grew exponentially with each episode that delved into it further. It was undoubtedly a superb idea to incorporate it within such a rich story, whilst managing to equally share in historical accuracy. Alongside the magical aspects of the show, I was equally invested in the focus on developing intricate backstories for its characters. Naturally, being a series would give each member of the loveable outlaw group the time to grow and be thoroughly explored over its hour-long episodic adventures. Of course, we know the characters from the tale, but I really appreciated that this show gave us deeper looks into these already beloved figures, allowing us to grow closer to these versions. I would go as far as to say that this variation of the group of outlaws is my favourite of any Robin Hood adaptation. Michael Praed was a true stand-out as the titular rebel leader Robin, who was perfectly cast alongside Judi Trott's Marion, who is stunningly beautiful and becomes a skilled fighter upon joining the band. The rest of the crew, of course, features Little John a once-bewitched giant who loves to show off his strength and have a laugh, Will Scarlet is the grumpy fighter who loves nothing more than to get in the thick of the action, Friar Tuck watches out for the Lady Marion and holds the team together through their darkest moments, Much is Robin's foster brother a bumbling fighter and lookout and finally, Nasir a Saracen professional assassin freed from an equal spell like John. These depictions of the classic and new characters were fantastically acted by their respective actors and I loved seeing the formation of this unlikely unity of outsiders as well as their later adventures. Guiding them on their quests, is Herne the Hunter, the mystical forest-dwelling spirit who instructs Robin in leading his group in favour of returning peace to the land. The third and final season saw the replacement of Praed's Robin with Jason Connery as Robin of Huntington, though brief, his performance was not remotely on par with Praed and wasn't as favoured by fans. Opposing our heroic band is the Sherrif of Nottingham, Robert De Rainault a ruthless and harsh ruler who seeks the ultimate demise of Robin and his band, caring only for further power and riches. He commands Sir Guy of Gisburne who equally shares his sentiment of the rebels and is frequently pinned against Robin on countless episodes though always failing to capture the outlaw. The Sherrif and Gisburne were easily the highlight of the series and utterly phenomenal villains. You can't help but love them. I am sent to hysterical laughter whenever the Sherrif loses his temper with Gisburne as his performance takes on a theatre-like presence. Another highlight of the series was the action. There are some envigorating duels scattered throughout the show with so many flashy sword fights (mainly delivered by Nasir) to bow and arrow standoffs. There is plenty of exciting action to captivate viewers over the countless breathtaking on-location sets like the towering lush green forests. The final component to this shows magnificence is the music by Clannad. Their mixture of folk-based sounds, harmonies and synth make for a hauntingly beautiful soundtrack that is inimitable, which fits the series perfectly as the equal mixture of old and 'modern'. Overall, Robin of Sherwood is my absolute favourite depiction of the Robin Hood legend. It has so many exceptional qualities from the cast, characters, music, action and stories that make it such a delight. It has received a steady fan base who revere it extensively. I heartedly recommend this to all fantasy and Robin Hood enthusiasts. 

Seasons & Episodes: 3 Seasons - 24 Episodes

Creator: Richard Carpenter

Genre: Action / Drama / Fantasy

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The Adventures of Robin Hood (1938)

Prince John and the Norman Lords begin oppressing the Saxon masses in King Richard's absence in 1190s England. However, Saxon lord, Sir Robin of Locksley, fights back as the outlaw leader of a resistance movement. He and his band of Merry Men, rob the rich to give to the poor and foil the cruel sheriff of Nottingham, Sir Guy of Gisbourne, whilst keeping the nefarious Prince John off the throne. Robin Hood is one of the oldest tales in English folklore that, despite its age, continues to entertain the masses to this day. A story full of enthralling adventure naturally captivates the imagination and excitement of people of all ages over countless decades. It is therefore no wonder such a tale would make for a thrilling big screen experience. However, this wasn't the first big screen outing for the swashbuckling hero, with previous adaptations dating back to 1908 and 1922. Whilst equally entertaining, many, including myself, would regard this as a definite introduction to the character on the silver screen. This adaptation is rich in every conceivable aspect. Firstly, the enormous 'stage-like' sets were magnificent, like, for instance, the castle, which held an unprecedented scale unlike anything I had seen in film from this time. It truly took advantage of the possibilities for a big-screen depiction, allowing opportunities to leave audiences in awe at the sheer size of its set design. Personally, this was the most surprising aspect that impressed me immensely. A film from this decade with real sets of this magnitude easily overshadows the lifeless CGI landscapes of some movies. Secondly, there was the action that ups the ante with its invigorating flashy sword fights, which were as visually impressive as they were physically. Accompanying these fights is the grand soundtrack that elevates these scenes to their peak excitement, equally doing wonders for other scenes of varying emotions. Thirdly, we have the other integral participant in the visual spectacle, the magnificent colours. I find this to be the film's greatest asset since not only was it not commonly used at this time in filmmaking, but it allowed for some spectacular striking visuals. The colours used were the most vibrant possible and like the effort dealt to the grandiose scale, it too took full advantage of its capabilities making for another Technicolor delight. Finally, we have the players, those in the foreground delivering those hard-hitting lines, leaping into the action and having all the fun. Robin Hood is played by Errol Flynn who is best known for his swashbuckling romance roles with this one probably being his most recognisable. His portrayal certainly set the bar for all future incarnations of the character and his performance was quite the stand out. From the physical side with the sword duels to his comedic playful dialogue, filling the story with plenty of joyful laughter. I thoroughly enjoyed watching his formation of the band of Merry Men and how he gained their trust and loyalty. Naturally, his crew consists of Little John, Friar Tuck, Will Scarlett, Much the Miller's son and countless others. I found it quite interesting to see just how many people join forces with Robin in the woods as some depictions only show the main names you know with the occasional aid from villages, so an army made for quite the spectacle during battles. Later joining them would be the beautiful Maid Marian played by Olivia de Havilland whose performance as the heroine equally shone, especially in the growing romance with Robin. Similar praise can be said for all cast including the villains, Sir Guy of Gisbourne and Prince John, whose cunning and imposing presences made for fantastic antagonists, especially Gisbourne, who has some exquisite fencing with Robin in the final battle. Overall, The Adventures of Robin Hood is a pinnacle of the golden age of Hollywood. From its superb casting in both leading and supporting roles, the phenomenal action, set pieces and score, to the stunning colour visuals, this picture is everything a movie should aspire to be. It has stood the test of time and still looks incredible, inspiring countless films over the decades and influencing the many Robin Hoods yet to come. 

Runtime: 1h 42m

Directors: Michael Curtiz, William Keighley

Genre: Action / Adventure / Romance

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The Sound of Music (1965)

In Austria 1938, Captain Georg Von Trapp, a widower, runs his home like the ship he once commanded although, that changes when Maria arrives from the abbey to be his seven children's new governess. She is surprised to learn she's the latest in a long line of governesses seen off by the children, but Maria soon finds that all they need is a little love to change their attitudes. She helps reintroduce them to singing, and through her, music is brought back into the hearts and home of the Trapp family. The Sound of Music is undoubtedly one of the most significant musicals of all time and the most beloved. It has not only firmly remained a classic after all these years but still looks phenomenal now. Its visuals are breathtaking with a superb direction that brings us countless beautiful shots. Whether it be the sweeping shots of the luscious mountain landscapes or even the mere stills of such grandiose locations as the villa and festival stage, this film is inundated with stunning imagery worthy of a theatrical presence. Further shaping the movie are those in the foreground, Maria and the Von Trapp family. We follow Maria who leaves her life in the abbey as a nun to aid the family of Captain Von Trapp. I adored these characters whose interactions and moments together were extremely captivating and brought to such life by their respective actors/actresses. Julie Andrews (Maria) has such a magnificent singing voice that elevates every scene to peak delight which, only blossoms greater when combined with the children, Liesl, Friedrich, Louisa, Kurt, Brigitta, Marta, and Gretl. There are a plethora of songs throughout in which to hear their exquisite voices with so many memorable classics from 'My Favourite Things', 'The Sound of Music', 'Do-Re-Mi', 'The Lonely Goatherd', 'Sixteen Going on Seventeen', 'So Long, Farewell' and more. The songs have even surpassed the movie becoming so universally known that people who haven't even seen it likely know them. Plus, there are plenty more songs featured like those from the Nuns and Mother Abbess with 'Maria' and 'Climb Ev'ry Mountain'. However, the ones I was most captivated and surprised by were from that of Christopher Plummer (The Captain). He has such a voice I was simply blown away by his performance and subsequent songs, with my favourite being the somewhat emotional 'Edelweiss'. As well as being so captivating in terms of the music, each was equally so in the story. Now, the movie is based upon the real story of the Von Trapp family singers, however, naturally, there have been alterations to the cinematic telling, which comes in at a pretty lengthy timestamp. Although, when I watched it again recently I hardly noticed. There wasn't any feeling of it dragging or taking too long. So it comes as no surprise when I say I loved the story. I most enjoyed watching Maria attempt to connect with the children who make the matter difficult as they try scaring her off like previous governesses as they hope to gain their father's attention. However, she finally gets through to them rejuvenating that sense of joy as they come to share an unbreakable bond that also befalls the Captain, who had suffered the worst from the incident. However, the Captain is now engaged to the Baroness, which causes some conflict inside Maria who, without meaning to, has grown a liking to him also. One of the most noteworthy aspects of this movie is its setting. Anyone who noticed the year would immediately make the troublesome connection. Underlying a constant background feeling of dread with the imminent takeover by the Nazis looming. There are hints of this change throughout with it being a topic brought up gradually until it consumes the picture leaving the family to make a difficult decision. Overall, The Sound of Music is a production I and many others consider to be flawless. It manages to convey countless emotions through varying elements like its songs, acting and story, which is tremendously visceral. It is a feature perfect for the whole family certain to captivate you, make you sing and warm your heart. An integral movie to the world of cinema, everyone should experience.

Runtime: 2h 52m

Director: Robert Wise

Genre: Biography / Drama / Family / Musical / Romance

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