Big Trouble in Little China (1986)

When trucker Jack Burton agreed to take his friend Wang Chi to pick up his fiancee at the airport, he never expected to get involved in a supernatural battle between good and evil. Wang's fiancee has emerald green eyes, which makes her a perfect target for an immortal sorcerer named Lo Pan and his three invincible cronies. Now, Jack must save Wang's fiancee from Lo Pan and his deadly minions, blood-curdling supernatural horrors, and a trio of unstoppable Kung Fu masters, whilst winning back his stolen truck. But how can he defeat an enemy who has no body? Big Trouble in Little China has to be one of the most incredible cult classics I have ever had the joy of experiencing. I mean this movie just doesn't hold back with its bizarre, weird, epic and over-the-top action being thrown at you nonstop in the best way possible. Directed by the master of horror, John Carpenter, he dabbles into a different genre, that of the action hero adventurer and is still able to deliver a phenomenal flick. In the limelight is Carpenter's favourite actor for his movies, Kurt Russel, as Jack Burton, who takes on the role of the hero out of their depths. That is putting it lightly cause whilst he may appear like the typical action hero capable of taking on anything, he actually fumbles up a lot and has no idea what is going on at all. It is so hilarious watching him rush into a dangerous situation guns blazing only for him to be knocked out, practically missing the majority of the fights or thrown aside by overly powerful beings. Even though he can be a bit of a fool and very cocky, he still kicks ass and has some awesome moments. Having Jack thrown unwillingly into the adventure was genius as he hasn't got a clue what is going on just like us viewers. He is completely bewildered by the unbelievable magical goings on, which are common knowledge to side kicks, Wang Chi and fellow sorcerer Egg Shen. Jack simply cares about getting the money he's owed from Wang and his iconic truck, The Pork Chop Express so when he is drawn into the peculiar mishaps, he wants no part of it. However, once his truck is taken during a climactic battle between two warring factions in an alley, Jack takes on the daring mission to confront the evil Lo Pan. I love how they gave such an elaborate and complex backstory for this film. It feels rich in history and whilst they do throw all the information at you in quick proportions that feel slightly hard to take in, it only adds to the humour of Jack's confused expression as he attempts to understand. Lo Pan is both a creepy and ridiculous villain who has such a powerful presence in the scenes when in his ghost-like form. He looks so cool in his vibrant garments and I equally enjoyed watching all his magical powers in action, especially when he gets all excited and makes some hysterical sounds of glee. Although he may be the top bad guy, my favourite has to be his underling magicians, The Three Storms (Thunder, Rain, and Lightning) who each have their own abilities making them formidable opponents and practically killing machines. The highlight of the trio, in my opinion, was Lightning with his electric powers, which looked phenomenal. Anytime they were on screen they would be flying around whilst attacking with swords, doing acrobatics or taking punches like they were nothing. Jack's allies also got plenty to do with Wang battling with Rain to taking on plenty of henchmen, Egg using his magic to duel with Lo Pan and Gracie acting as the not-so-typical damsel in distress who can fend for herself with some aid from our proud hero. Throughout the film, there is plenty to be left in awe by with much of that going to the visual effects department who concoct some strange monsters for the lair of Lo Pan that come and go out of nowhere including the bizarre flying spy ball covered in eyes. It's abnormal, different and quickly brushed over before carrying on like normal. I love it. Overall, what a crazily good adventure! It's honestly so sad they don't make movies like this anymore. The action was extravagant, the acting on point, the effects exemplary, the music catchy and the adventure wild. Big Trouble in Little China is a cult classic everyone should experience once in their lifetime.

Runtime: 1h 39m

Director: John Carpenter

Genre: Action / Adventure / Comedy / Fantasy

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Star Trek: Nemesis (2002)

After a joyous wedding between William Riker and Deanna Troi, Captain Picard and the Enterprise crew stumble upon a positronic signature belonging to a prototype version of android crew member Data. The Enterprise is then diverted to Romulus to negotiate a peace treaty with the Romulans by their new leader, Praetor Shinzon. However, Shinzon, is revealed to be a clone of Picard raised on Remus, a slave planet to the Romulans. Picard discovers that this treaty is nothing more than a set-up by Shinzon, who needs Picard to survive. Set four years after the events of Star Trek: Insurrection (1998), this film marks the final outing of TNG crew on the big screen. Unfortunately, like most of the other films in the Next Gen line-up, this adventure received a mixed-bag response among fans and is personally my least favourite. It is not the most horrendous film I have ever seen but it is one I found disappointing out of all the Trek films and this was for a few reasons. That is not to say there isn't stuff I liked. There are some brilliant moments scattered throughout. The opening was simply beautiful, with the wedding of Will and Deanna, which was so delightful, especially since I had wanted to see them together since the series. Picard's speech, was enough to make any fan tearful as he wished the newlyweds well before they set on their last voyage together. It was further great to see returning characters Guinan and Wesley Crusher, whom we hadn't seen since the end of the series. Though it is a shame his dialogue and scenes were cut. Other notable moments were Worf getting drunk on Romulan ale to Data singing 'Blue Skies' on stage, which were hilarious. The crew set off to their destination when they are drawn in by a mystery signal that turns out to be another Data-like android called B-4, an unused prototype for Data. It was a shame, however, that this cool scene was disrupted by my least favourite aspect with the rover, which, whilst not a bad scene, didn't feel like Star Trek. We then turn to the story at hand with the planet Romulus undergoing new management under Picard clone, Shinzon. This clone was created by the Romulan Empire to infiltrate the Federation as their agent but was cast aside and left to work as a slave on the mining planet Remus. He leads an army of Reman troops who are essentially vampires, which was an unusual aspect of the movie that at least had a cool design. One of the more interesting parts of this film was Picard's and Shinzon's interactions. Despite being the same person, they have both led vastly alternate lives and their thoughts on one another were quite intriguing to watch. Shinzon was not a bad addition to the franchise and for a villain, he was exceptional but mainly in his scenes with Picard. I noticed as the film went on that we spent an awful lot of time focusing on Picard and Data's stories and whilst they may be my favourites of the group, I felt the rest of the cast were forgotten. Having this as their essential 'final outing' I wanted to see more of the whole crew with some characters barely having anything to do. There are some highlight moments for some, like Deanna using her Betazoid powers in a new and incredible way. The effects on the other hand are still pretty decent with a lot of them aiding in creating a fantastic space battle with the Enterprise-E and the cloackable Scimitar. Also, what is it with the Enterprise-E practically being destroyed in every movie? It takes a beating in all of them, but none more than this in, at least, an awesome fight. Spoilers ahead so skip past the red. *Spoilers* Throughout the movie, there were certainly many parts that I wasn't all that much of a fan of, but the biggest one of all was Data's death. Yes, it was a meaningful sacrifice that, if anything, gave him that humanity, but it made the ending bittersweet with not everyone being there for a happy send-off. Overall, Nemesis is one of those movies that probably improves upon a rewatch, but still, elements remain that make it a weak entry. It wasn't without some great sequences, but, ultimately, it fell flat and didn't feel like a just ending for some of Trek's finest. Check out more from TNG crew in Picard (TV Series 2020-2023).  

Runtime: 1h 56m

Director: Stuart Baird

Genre: Action / Adventure / Sci-fi / Thriller

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Star Trek: Insurrection (1998)

From the beginning of the Federation, the Prime Directive was clear: no Starfleet expedition may interfere with the natural development of other civilizations. But now, Picard is confronted with orders that undermine that decree. If he obeys, six hundred peaceful residents of Ba'ku will be forcibly removed from their remarkable world, all for the reportedly greater good of millions who will benefit from the planet's regenerative radiation. If he disobeys, he will risk his starship, his career and his life. But for Picard, there's only one choice. He must rebel against Starfleet and Son'A, leading an insurrection to preserve Paradise. After the explosive events of Star Trek: First Contact (1996), we take a slightly laid-back adventure that whilst doesn't live up to the previous escapade, is one I thoroughly enjoyed. I was quite surprised by how many people disregarded this film because I thought it was a lot of fun. I can understand some reasons why it may not be as popular but it is far from all the hate it receives. Insurrection is by no means a bad movie and easily trumps the following flick as it delivers essentially a Star Trek: The Next Generation (TV Series 1987-1994) style episode to the big screen. Some may see this as a hindrance, but I can't see how. It captures the feel of the program in a way that honours it whilst giving us something new. Also, the opening sequence is phenomenal as it harks back to the series with Starfleet observing civilizations undercover to study their culture and development with cloaked towers and invisible suits. However, things go awry when one member starts fighting back against pursuers who is revealed to be Data after taking off his suit, uncovering the operation to the Ba'ku. The whole situation instantly captivated me, with my mind racing with questions as to why Data would behave this way. Once the Enterprise found out, they rushed to his aid, which was a superb example of the duty of care the crew share for one another. Their efforts to save Data, refusing to let the Son'A take the matter into their own hands, was brilliant. Picard and Worf's attempts to stop Data's shuttle are hilarious as they distract him by singing 'A British Tar', which he had been practising before he left in hopes he might remember. Seeing them all sing was simply fantastic and I couldn't help but laugh at Worf shaking his head to Picard's "Sing Worf" before giving in. The Ba'ku people are a peaceful civilisation and have no technology of their own choice, having a vast knowledge of it and yet choose not to use it in their lives. The planet has a peculiar effect on the inhabitants due to its regenerative radiation that rejuvenates people and gives them eternal life. Such a paradise is sought out by the Son'A, led by Ru'Afo, who are in constant need of surgery due to their unnatural appearance that frequently breaks or bleeds. Teaming up with the Federation through Admiral Dougherty, they plan to transport the people without their knowing to another world to use it for their own. Picard, and his crew, refute such an act and fight back, protecting the people by interfering with the Son'A's efforts. I loved being able to see the whole crew in action again using rifles/phasers against ground forces and even getting some more Enterprise-E action in a space battle. My favourite aspect of the movie was the effects of the planet on the crew with, Geordi gaining his real sight without needing his implants, Will and Deanna rekindling their relationship after years passed between them (which was awesome as I wanted them together since the show), Will even shaves his iconic beard just like in season 1 and Picard develops a romance for Ba'Ku woman, Anij. These instances led to some amusing moments, especially from Data, that cracked me up. Overall, I think Insurrection is the most underrated of the NG movies. The film manages to perfectly juggle a plethora of emotions from its humour to more heartfelt pieces to its all-out action making for an enthralling story. It even has the most brutal and horrific death in the franchise hands down. The crew are a delight as always, taking an otherwise borderline flick into some quality content. Check out the last entry in Star Trek: Nemesis (2002).

Runtime: 1h 43m

Director: Jonathan Frakes

Genre: Action / Adventure / Sci-fi / Thriller

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Star Trek: First Contact (1996)

The Borg have returned and are invading Earth's galaxy, resulting in a major battle with Starfleet. The newly-commissioned U.S.S. Enterprise NCC-1701-E, commanded by Captain Jean-Luc Picard, is ordered away from the action as Starfleet command fears that Pickard's previous assimilation by the Borg will affect his judgement. Once it is clear that Starfleet is losing the battle, Pickard disobeys orders and arrives in the nick of time. The Enterprise manages to save the Earth from destruction but it is soon apparent that the Borg do not intend to destroy Earth but change the course of its history. Following on from the mixed bag, Star Trek: Generations (1994), we are treated to one of the finest films in the Star Trek picture line-up. Not only that but it is regarded as (and I am inclined to agree) the best movie featuring the Next Generation cast. Looking back at the series one of the most renowned aspects was the terrifying villains, the Borg and choosing them as the main focus of this epic was simply genius. The Borg were a formidable opponent who bested even the crew of the Enterprise on many occasions, especially Picard in a fatal encounter in the two-parter, 'The Best of Both Worlds'. Picard would be assimilated into Locutus of Borg but was thankfully reverted, at the cost of leaving trauma, which this film digs back up in a personal battle. The movie throws us into the action with the Borg's vessel targetting Earth and the Federation in a gigantic space battle. Here, we get a first look at the new Enterprise-E in action, and I have to say I love the design of this iteration, both inside and out. It just looks awesome and is up there as one of my all-time favourites. The entire space battle is incredible too, with both sides taking a beating. The Federation overcomes them with the aid of Picard's extensive knowledge. However, a Borg sphere manages to escape using time travel to go back to 2063, in an attempt to prevent Earth's first contact with other species. Unbeknownst to them, the Enterprise follows and it becomes a fight to protect Zefram Cochrane, who will make the first leap into a bigger galaxy. The crew split up, with some staying down on Earth to aid Zefram in completing his work in time for first contact whilst the rest stay aboard the Enterprise which the Borg have infiltrated, taking over the crew. Joining the adventure is Lily Sloane who works with Picard acting as a good foil for his outbursts against the Borg being from a different time and not knowing the situation fully. It was phenomenal getting two stories wrapped up into one but, my favourite time was spent on the Enterprise where fights are breaking out in corridors, space walks outside to more battles and a fantastic bit of deception in the holodeck. The holodeck was easily a highlight with Picard creating a 1930s nightclub where he dances with Lily to blend in before acquiring a Tommy gun and going full action hero on the opposing Borg. It is incredible! Picard doesn't mess around in this film either, from killing the converted crew without remorse. He takes the matter very seriously but also shows signs of seeking revenge. Noticeable changes have been made to some of the main characters from Geordi finally losing the visor in favour of implants and Data mastering his emotion chip, being able to turn it on and off at will. It made for some nice growth for these characters. Alongside the main cast, the character Lt. Barclay makes an appearance, which was superb as he was a recurring member of the series I adored. We get a new addition to the antagonists in the form of the Borg queen, who is a strange, seductive and terrifying entity that is a formidable foe who even takes Data hostage, experimenting on him, giving him the choice of finally becoming human. Overall, First Contact is an exceptional entry in the movie franchise and NG stories that throws so much explosive action and adventure at you from the get-go. It manages to balance so many emotions and cleverly jump from comedy to weighty scenes whilst keeping it flowing. A perfect piece of science fiction for fans and general movie-goers, with some time travel to boot. Also, check out the sequel Star Trek: Insurrection (1998).

Runtime: 1h 51m

Director: Jonathan Frakes

Genre: Action / Adventure / Drama / Sci-fi / Thriller

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Star Trek: Generations (1994)

In the late 23rd century, retired Starfleet officers James T. Kirk, Scotty, and Chekov are guests of honour aboard the newly-christened U.S.S. Enterprise-B. However, her maiden voyage takes an unexpected turn when the starship encounters two vessels trapped inside the Nexus, a mysterious energy ribbon. During a perilous rescue, Kirk sacrifices himself in a heroic attempt to save the lives of the passengers. Seventy-eight years later, Captain Jean-Luc Picard and the Enterprise-D crew encounter Dr. Soran, a renegade scientist who plans to harness the power of the Nexus at the cost of millions of lives. Picard's only hope for the future now rests within the Nexus, and a legendary Captain from the past. Following swiftly on from the hit show Star Trek: The Next Generation (TV Series 1987-1994), the crew take a big leap onto the big screen in their first motion picture that, quite honestly, ended up being a mixed bag. I am very on the fence with it as there is a lot I liked, but some choices just felt off. I was sadly left disappointed by this film, not to say it was a total disgrace but it was not what I was hoping. We open with the Enterprise-B being overseen by Kirk and other returning OG cast that felt just like the previous movies. Despite that, I actually would have preferred not to have had any connection with the OG series as I felt they had a perfect ending in Star Trek VI: The Undiscovered Country (1991). I know this film was meant as a passing of the torch between old and new in the cinematic arena but I think they had already well established themselves without the need for such. Considering the movie was filmed directly after the series ended everything featured in the serials was transitioned over with sets of the Enterprise interior, the crew's uniforms (that faze in and out with the DS9 uniforms) as well as some of the crew's quarters. One aspect of the ship that got an overhaul was the holodeck in a fantastic opening sequence of the crew aboard the 19th century brig, H.M.S. Enterprise at sea. Donning sailors attire, they partake in a ceremony for Worf's promotion to Lt. Comdr. that was a delightful sequence. Seeing them all laughing and having a good time (except of course Data) was pure entertainment. This event also spurs Data to try the emotion chip he recovered in the episode 'Descent, Part II', which he never used on account of being damaged. It leads to some interesting reactions of Data experiencing new emotions which were a mix of being outright hilarious to a little annoying. My favourite moment from this subplot was his life-form song. It was so random that I loved it. Each member of the crew is a continued delight. Even if some don't get much to do (Dr. Crusher). I was most captivated by Picard, who was a highlight when he wasn't being overshadowed by Kirk. Even Guinan has some time to shine and is a wonderful addition, being a recurring character of the show. Other characters from the series, the Duras sisters (rival Klingons), join forces with the villain, Dr. Soran who, unfortunately, falls flat as the main adversary. He's okay but nothing special and can be a bit forgetful. Skip past the red for spoilers. *Spoilers* During a space battle against the Klingons, the Enterprise takes a lot of damage and is forced to separate its saucer as the warp core explodes sending the saucer on a collision course with the planet. Watching yet another Enterprise fall was a sad sight but an epic and iconic sequence as it plummets, not slowing down as it rams the ground. A defining moment, that saw the end of a beloved vessel from the long-running show. Also, worst of all, was the death of Kirk. Frankly, I don't like the fact they killed him off as I loved the ending of VI and seeing him die alone without his friends was just upsetting and felt unwarranted. Overall, whilst I think Generations is an underrated movie in the franchise, though not the best with some bizarre choices that felt like a last-second idea. It does also manage to deliver some iconic scenes that are some of the finest in Star Trek. It may not be the best but it is far from being the worst. Check out the next exciting outing in Star Trek: First Contact (1996) that raises the stakes in a personal battle with the Borg.

Runtime: 1h 58m

Director: David Carson

Genre: Action / Adventure / Mystery / Sci-fi / Thriller

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Star Trek: The Next Generation (TV Series 1987-1994)

Set 70 years after the final voyage of the original crew of the Enterprise in Star Trek VI: The Undiscovered Country (1991), we now follow a new crew aboard a highly advanced and improved U.S.S. Enterprise-D. In the 24th century, the Enterprise is commanded by Captain Jean-Luc Picard, who leads a crew of various humans and aliens on a journey to distant planets, to seek out new life and to boldly go where no one has gone before. I have been a huge fan of the original Star Trek (TV Series 1966-1969) and was an even bigger fan of their movies, so I was eager to see the show that followed, which became such a beloved aspect of the franchise. Personally, I was both excited and optimistic when going into it. I was so looking forward to more from this interesting universe however, I was slightly worried it would feel like a replacement of the OG crew. This, of course, was a needless concern. Not once did I feel like they were replacing the classic but instead continuing their legacy in a new and refreshed way with a new set of faces and adventures on the horizon. Releasing back in the late 1980s, (coinciding with the original theatrical movies), this program introduced a whole new Enterprise (model NCC 1701-D) with a fresh group to pilot her voyage. This generation of space travellers consists of: Captain Jean-Luc Picard, Commander William T. Riker, Lt. Cmdr. Geordi La Forge, Lt. Worf, Doctor Beverly Crusher, Counselor Deanna Troi and Lt. Comdr. Data. Each character brought a unique quality to the show and had their own abilities, skills and traits that were only expanded upon greatly with episodes that fleshed out each member individually. This was a factor I thoroughly appreciated as I felt this devotion to character-driven narratives was lacking in the original series. We learn about their lives, history, struggles, background, culture and more, which is so fascinating to explore. I loved each member of the crew equally and how different they were. From the blind visor-wearing Geordi, to the only Klingon in Starfleet Worf, the telepath Troi to the android Data. There is such a vast group of individuals that despite their varying different lives and backgrounds, they all work together, help one another and share a close friendship. Throughout the series, multiple characters appear in occasional episodes that also receive just as much development as the main cast who further expands the crew of the Enterprise. There's Miles O'Brien, Guinan, Lt. Barclay, Doctor Pulaski, Ro Laren, Lt. Tasha Yar, Wesley Crusher and many more. Alongside the crew, the Enterprise has seen an overhaul now taking a bigger crew, has a new layout, updated tech including a holodeck that can create realistic environments/people to interact with and can even separate the saucer section, allowing two parts of the ship to be operated individually. In the 24th century, not only has the Enterprise changed, but so has other technology, like the communicators that went from a handheld device to a small badge on their person., which is a nice bit of attention to detail. Times have also changed with the once rival Klingons now being a part of the federation with other adversaries taking the spot like the Romulans, the menacing Borg and the Ferengi. There is also Q, a God-like being who can conjure anything at his will, who likes to show up and play with the crew, especially Picard. The show has an epic fanfare title sequence taken from Star Trek: The Motion Picture (1979) that has a couple of alterations made to Jerry Goldsmith's iconic rendition that has now become so associated with this series. The program has 7 seasons, which goes to show just how popular it was and it came into its own around the 3rd season and onwards. Overall, The Next Generation is a show I truly adore that follows in the footprints of its predecessor whilst delivering a new and delightful experience. Each member is captivating with fully fleshed-out stories and history that make them certain to become fan favourites for many. With some phenomenal stories, effects, sets and acting, Star Trek doesn't get better than this. The crew's adventures continue however in Star Trek: Generations (1994).

Seasons & Episodes: 7 Seasons - 176 Episodes

Creator: Gene Roddenberry

Genre: Action / Adventure / Drama / Sci-fi

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M.A.S.K. (TV Series 1985-1986)

Multimillionaire Matt Trakker uncovers an international criminal organization known as V.E.N.O.M. (Vicious Evil Network of Mayhem) Trakker gathers a group of friends who, like himself, possess extraordinary talents and creates the military organization known as M.A.S.K. (Mobile Armoured Strike Kommand) Their objective; to destroy V.E.N.O.M. and its mastermind, Miles Mayhem. If I had to pick one of my favourite Saturday morning cartoons of the 1980s, this one would come very close to the top of that list. From the moment I started the program, I was instantly captivated and would be eager to check out the next episode. Naturally, with these styles of shows back during the 80s, one of the main reasons they existed was to market toys to children with a series to match, enticing kids to buy the real-life counterparts of these characters/vehicles. Unlike most of the other shows, I found this one very different. Whilst it of course centres around a toy line that was released before the program, I felt like I was watching a show devoid of marketing a product and more in favour of giving viewers quality content, as if the toys were an afterthought. I don't know if it is just me that feels this way, but I thought this series did a fantastic job creating characters, rich stories and adventures that just feel like a great deal of care went into its making. It didn't feel cheap and if anything, it had some of the most gorgeous and spectacular-looking animations I had ever seen with some episodes standing out tremendously in that department. Alongside, the animation, one other notable aspect of this show springs to mind, and anyone who has watched this will know instantly that I, of course, mean the intro. It is truly something to behold. How is it possible to make such a catchy and phenomenal song that no matter how many times you hear it, you have to sing it through to the end. The intro never changes for the entirety of the show's run and frankly, it didn't need to as it was simply perfect. The show centres around two factions. The heroic M.A.S.K. and the villainous V.E.N.O.M., each have a fleet of hidden function vehicles and superpowered helmets that they use in their causes. M.A.S.K. is led by Matt Trakker, who is aided by members: Hondo MacLean, Dusty Hayes, Bruce Sato, Alex Sector, Brad Turner, Gloria Baker, his son Scott Trakker and his comedic robot sidekick T-Bob. V.E.N.O.M. is commanded by Miles Mayhem, who is accompanied by Cliff Dagger, Sly Rax, Vanessa Warfield, Nash Gorey and Bruno Shepherd. Our heroes would constantly come across the villains in a situation of a heinous crime, mercenary work or holding countries ransom and would quickly put a stop to it. One of the most iconic moments of the series is when the agents are called upon and must stop whatever they are doing to rush off in some hilarious scenes. Along the way, Matt's son Scott and his robot companion T-Bob would get involved, getting into sticky situations, and needing rescuing whilst also, at times, helping win the fight. They would occasionally tread the line of being annoying, but ultimately, I loved their inclusion due to some very funny interactions and sequences. They would also offer good life lessons for children at the end of every episode with important messages like "Don't cross the road without looking" and that sort of thing, which was a nice addition to teach kids life lessons. As the series continued more characters were introduced, especially during the second season, which was one of the worst aspects of the show. It scrapped everything good previously mentioned and made the whole show about racing for some reason and removed characters, interesting plots and brought many inconsistencies. Worst of all, it felt like a blatant toy commercial, unlike the first seasons that produced enjoyable content as well as the toys. Overall, I adored M.A.S.K. and was so enthralled by its many cool characters, superpowered Mask abilities, morphing vehicles and explosive action matched with exciting adventures. It is easily some of the very best of what 1980s cartoons had to offer and is an exceptional piece of entertainment.

Seasons & Episodes: 2 Seasons - 75 Episodes

Creators: Bruno Bianchi, Jean Chalopin, Bernard Deyriès

Genre: Action / Adventure / Animation / Family / Sci-fi

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